In its 2014 Sustainability Report, fashion brand Hugo Boss said that it was planning to stop using farmed fur in its collections from Autumn/Winter 2016 onwards. According to Bernd Keller at the company, its sustainable corporate strategy should take precedence over the “fast and simple route to success”. Like many companies, it has realised that global consumers are demanding a more sustainable approach to business.

I completely agree that sustainability should take precedence over short-term corporate goals and applaud Hugo Boss for thinking that way, but I would respectfully disagree that moving away from farmed fur is a good method for accomplishing it.

Fur is actually one of the most sustainable materials that apparel brands can employ. Fur farms recycle food waste from other industries and can provide organic replacement for chemical fertilisers, while natural fur garments usually last 20-30 years or more and are regularly brought to furriers for remodelling, which extends their life considerably. And at the end of its life, natural fur will degrade quickly and naturally.

Globally the environmental aspects of fur are strictly regulated in accordance with national legislation. These guidelines cover the handling and distribution of manure and the use of chemicals. This means that the regulated fur industry sets the best standards in the world when it comes to the environmental impact of this type of farming.

Artificial fur, on the other hand, is far from the "safe alternative" some lobbying groups might have us believe. Fake fur, comprising polyacrylates, requires the extraction and fractionating of petroleum, its subsequent conversion into fibres and mass manufacturing into products. These are not only incredibly energy intensive and damaging to local ecosystems, but also produce extremely unpleasant chemical compounds.

Plus, fake fur garments are very much "disposable fashion" and will rarely be kept for more than a couple of years – after which they end up alongside plastic bags on rubbish tips, where they could remain for centuries.

But perhaps most importantly, I’m concerned that Hugo Boss is not respecting consumers’ choice and ability to decide for themselves. Have the vast majority of its customers in regions like Europe and Asia said they don’t want fur products and stayed away in droves? Its most recent global earnings figures would probably suggest otherwise.

SEE ALSO: 5 REASONS WHY FUR IS A GOOD FASHION CHOICE

Also, its 2014 annual report noted that Hugo Boss “has been in dialogue with several animal and consumer protection organisations for many years, to continuously improve in the area of animal welfare”. We certainly welcome intelligent and informed debate on the topics of sustainability and animal welfare.

So I would like to conclude with a request to Hugo Boss. If you’re genuinely keen on sustainability and truly eager to engage in dialogue with interested parties, get in touch with us at the International Fur Federation. Moving away from fur may net the brand some short-term headlines, but it may cause more harm than good in the long run. And the long run is what sustainability is really all about.

Ask most people what fur is good for and they’ll say it keeps the wearer – animal or human - warm. True enough, but some types of fur are so much warmer than others, and the reasons why may surprise you. In this first of a series to introduce some of the amazing facts about fur, we’ve planned a hunting and fishing trip and now it's time to plan our wardrobe. We’re headed to the Canadian territory of Nunavut, and we need to dress for the occasion!

Nunavut is actually the size of Western Europe, so even though almost the whole territory is classed as having a polar climate, there are considerable differences in weather and hours of sunlight. Time of year also makes a big difference. So let’s narrow it down and say we’re headed for the capital of Iqaluit at 63°N, in late March.

We’ll have about 6 hours of sunlight a day, enough for some good hunting or fishing close to home. But with average temperatures for March at -28°C, and a record low of -44°C, we can forget our birdspotter’s anorak. Heck, with wind chill factored in, the mercury once hit -62°C, so you might be tempted to leave your entire wardrobe at home, but don't. Jeans and sneakers will get a lot of use when we're not actually out on the land or ice.

It’s time to plan our new wardrobe and then figure out how to get it, because it's not going to be from your typical downtown furrier. Mink, fox or chinchilla are not up to the job, plus we'd prefer not to run up a huge cleaning bill on our return.

What we’re after is fur that’s full of holes.

Hollow Hairs Please

One of the key functions of fur in nature is thermoregulation: helping furbearers stay cool in hot weather and, more importantly, warm when it’s freezing. This is achieved primarily by means of insulation, and one of the greatest insulators is air. Or, to be more precise, trapped air.

Heat travels more slowly through air than through solids or liquids, (For comparison, water is 24 times more effective at conducting heat than air.) Furbearers take advantage of this by trapping air between the dense hairs of their underfur, then sealing it in with their long guard hairs. For us humans, it's a case of dressing in layers: two thin sweaters, with a layer of air between, keep us warmer than one thick one.

But some furbearers, mostly species of deer, have taken it to the next level. Not only do their guard hairs help trap air in the underfur, but those guard hairs also have air trapped permanently inside each one! Commonly known as “hollow” hairs, think more in terms of a honeycomb center, with countless tiny pockets of air. (Click here for an example of a scanning electron micrograph of red deer hairs.)

So we’re going to go with a local favourite in Nunavut, caribou fur.

Caribou must endure bitter cold for months at a time, and they don’t even shiver. How do they do it? It's not all in the fur; a highly efficient means of minimising heat loss known as countercurrent heat exchange functions in their legs and nasal passages. But the key is their winter coats, three inches thick and covering them from nose to hooves, all topped off with those hollow hairs. (Interestingly, it is also these hollow hairs that cause caribou to swim so high out of the water, further conserving heat.)

So we’ll start with a couple of knee-length parkas, not for alternate days but to wear as a pair if needed. The outer parka, worn on its own with the fur on the outside, will be for less cold weather or trips close to home when a sudden change in the weather just means a sprint home. The inner parka will be added, with the fur facing our body (yes, we'll need a shirt or other kind of lining!), when the mercury plummets or we're traveling farther afield.

Since we're not dressing to impress but looking for utilitarian wear, we'll go with plain parkas, not the decorated versions commonly associated with Inuit culture. Caribou hair sheds easily and the hollow shafts are constantly breaking, so decorated parkas are for special occasions only (and for sale to tourists).

And since it's not mid-winter, we'll go with summer caribou skins, which are also those generally used for garments. The hair is shorter than winter skins so they're not as warm, but this also makes them less prone to shedding. Summer skins are also easier to dress than winter skins, and while dressing is said to reduce warmth, it does make them more durable.

And if you're ready to go totally native, caribou pants and socks come next, both with the fur on the inside, then caribou mittens and kamik (traditional footwear) to round off your ensemble.

A word of caution though. Unless you're actually out on the land or ice, dressing head to toe in caribou will make you stand out from the crowd. Plus, propping up the bar in Iqaluit will very quickly cause you to overheat! That's where the jeans and sneakers come in.

Hydrophobic Hood

Before you shell out for your parkas, though, pay particular attention to their most important feature: the hood lining. It must be hydrophobic.

OK, we don’t literally want it to be “hydrophobic” or it would be scared of water. What we want is a strong “hydrophobic effect”, meaning it appears to repel water. (There is no actual repulsion involved, just an absence of attraction.)

The hydrophobic effect can be found everywhere and is essential to life on Earth. Observe a droplet of dew on a leaf. The water and the leaf want nothing to do with each other, to the point where the dew forms a sphere. The hydrophobic effect is also seen in all fur, but some types are more hydrophobic than others.

And why is a hydrophobic hood lining so important? Well, here’s what happens if you don’t have one. You’re out one day when a blizzard blows in and the temperature suddenly drops to -30°C. You pull up your hood with its big, fluffy synthetic lining and laugh at Mother Nature. Next thing you know, your breath is freezing on the lining which then freezes to your face. Lesson learned. You’ll never wear a synthetic hood lining again, at least not in the Arctic.

Better to do it right the first time and go with the ultimate in hydrophobic hood lining, wolverine fur. Since that is not always available, northern grey wolf makes an excellent second choice.

Nature’s Raincoat

But we also need a second outfit, still for time on the land, but for days when caribou will make us feel like a baked potato. The sky is clear and the forecast is for temperatures around freezing. There's a chance of rain and slush underfoot, so being waterproof is paramount. It's time for Nature’s raincoat, sealskin.

People from down south often assume sealskin must be the ultimate in cold-weather clothing, but it’s not the case, and that’s because the species used – mainly ringed seals, as in Nunavut, and harp seals – have no underfur. Sometimes known as "hair seals", their pelts are composed entirely of short, shiny guard hairs.

The "flat" fur that comes from hair seals is not as warm as "true" fur (with underfur), like caribou, but it has some real pluses. Because there is no underfur, sealskin is light. It is also incredibly durable, more so than any other flat fur like calf or antelope (which is why it's used to make rope). Its structure resists wind, its oil content repels rain, and its porosity allows it to breathe (which is why it also makes great tents).

And oh yes, it's virtually waterproof, which is why it's used to skin kayaks.

Sealskins, then, are the Arctic's warm, wet-weather clothing, "warm", of course, being a relative term. Mittens, a lighter parka, and most definitely sealskin boots therefore make it on to our shopping list.

Shopping Time

And now comes the hard part. It's so hard, in fact, that if you're planning a quick in-and-out visit to Nunavut, you're not going to be wearing caribou or ringed seal anyway, so just pack the best of the rest. Unfortunately, buying an outfit of traditional Nunavut clothing is, like hollow hairs and hydrophobia, amazing - amazingly hard!

Forget about buying outfits off the peg, in Iqaluit or anywhere else. It's not going to happen, though not for want of trying. Efforts have been made in Nunavut over the years to establish a garment industry with ensured availability from suppliers and standardised sizes and prices, but all to no end. The workforce with the necessary skills - older women, with kids to care for, working from home - have not taken to the idea of a production line.

So what to do? You can sign up for an expensive sport-hunting package and get the clothing, including a decorated parka made of dressed skins, thrown in. Finding someone to make it then becomes your tour operator's headache.

Or you turn up in Iqaluit, ask around, negotiate hard, and be prepared to pay $1,500+ for a plain caribou parka, pants, kamik and mittens - and that's summer skins, probably not dressed. If you're staying a month, it should be ready by the time you're heading home.

The good news is that Canadian harp seal garments can be bought on-line (here or here, for example), provided you don't live in a country that denies you the freedom to import them. Which brings us to the last amazing fact about seal fur.

Nonsensical Bans

Almost all sealskin garments come from healthy populations of either harp seals or ringed seals. So healthy are these populations that the International Union for the Conservation of Nature (IUCN) classifies both harp and ringed seals as "Least Concern".

And yet two of the biggest potential markets for seal products, the US and the EU, are closed for no good reason.

SEE ALSO: EU SEALING POLICY IS HYPOCRITICAL, ANTI-DEMOCRATIC

The US has banned imports of all seal products since 1972 under the Marine Mammal Protection Act, legislation that is fiercely defended by the nation's animal activist community.

In the EU, the ban went into effect in 2009, since when the European Commission has made a pig's ear of justifying it because it can't. Everyone knows the ban was passed not for any rational reason, or even to satisfy popular demand, but because it was bought and paid for by lobbyists in Brussels working for animal rights groups.

Now, true to their reputation for feeble-minded solutions (like the bendy banana law), Brussels' finest have sought to placate Canada's angry Inuit by exempting them from the ban. Not surprisingly, many Inuit representatives have called the gesture colonialistic and racist, so we'll see how that works out!

Truly, the politics of fur are no less amazing than the science and cultural traditions of this beautiful, warm and sustainable natural resource. Send us a postcard from Iqaluit!

You’ve probably seen celebrities wearing fur coats and pelts all over the catwalk, but that’s not necessarily a reason to choose to invest in fur. Here are a few more reasons why it is a good fashion choice.

1. It is sustainable. Resources are not infinite on our planet, but the responsible use of animals is a safe and renewable way to clothe ourselves. Farmed and wild fur all come from species that are in abundance and whose populations are managed properly. Why buy synthetics made from petroleum by-products, when you can opt for fur? Read more about fur’s sustainability here.

2. It is long-lasting. How often do you see someone wearing their grandmother’s old polyester blouse? Probably not very often (although those things are most likely still clogging up our landfills). Fur is a long-lasting material; if cared for properly, you can easily get 30 years out of a well-made garment, but we’ve seen many older than that. We live in a time where we are increasingly concerned about waste and lack of resources, so it makes sense to buy things that are built to last. Here are some tips for ensuring your furs last a long time.

3. Your fur coat purchase probably supports a small business. The fur industry might be large, but most of the people involved in the supply chain are small farmers, designers, processors, or individual trappers. Many of us long to buy from small businesses who invest their earnings back into the communities they live in – so why not choose fur? If you want to meet some of the people involved in the fur industry, check out our Fur Family Album.

SEE ALSO: I'M AN ARTISAN DESIGNER; FUR AND LEATHER KEEP ME WARM

4. It’s local. Well, it is not always local, but if you are Canadian, American, Danish, Swedish, or from any other fur-producing country, there is a very good chance you can buy a product that was homegrown in your own country. Most fashion products have a complicated supply chain that involves sourcing raw materials, weaving, processing, and construction from all around the world, but there are plenty of fur products that are made, from start to finish, in the place the animal was raised. Read more about the industry and its members, by country, here.

5. It keeps you warm. There is no arguing that. Nothing beats being wrapped in a beautiful soft pelt. Even the technical companies who specialize in Arctic clothing insist on including fur (you know who I am talking about.) Read about why this famous outerwear company uses real fur.

Read more about the fur industry at www.truthaboutfur.com.

My life in the fur trade began as a teenager, back in 1968, with a summer job for a fur broker – a man who bought and sold fur pelts at wholesale. Although my family came from Greece (like many fur craftspeople), we were not furriers. But, like most immigrants, we were not wealthy and I needed to work to help ends meet. That first job changed my life; I had never imagined that such beautiful furs existed and I was hooked at first sight!

The owner took a liking to me, I guess, and taught me the ins and outs of examining, grading and buying fur pelts at the old Hudson’s Bay fur auction house that was in Montréal at that time. There was so much to discover and I was lucky to learn from the ground up: my understanding of how to judge different fur qualities would serve me well when I became a fur designer and manufacturer myself.

A few years later I was offered a job as a fur manufacturer’s sales representative, visiting retail fur shops across the continent with fur garment and accessory samples. Although it was difficult to leave my mentor, I wanted this opportunity to learn another part of the business. Because I had to work to make a living, I never had the opportunity to go to college or university. Work was my university.

One great advantage of my new job was that I had direct contact with fur stores and their customers. It didn’t take long before I understood that the traditional way fur coats were being made had not kept up with the times. Traditional coats were too bulky, too heavy. And there was an opportunity to use a wider range of furs than the few traditional staples (Persian lamb, muskrat, mink) that dominated the market. As retailers and suppliers began to have confidence in me, I decided it was time to create my own fur designs, incorporating my new ideas and made in my own atelier.

Family Affair

Two brothers and two sisters joined me in this exciting venture, and our company grew quickly. Soon I needed an associate, an expert furrier, to look after the production side, while I developed new designs and handled sales and public relations. I felt tremendous pride seeing my fur creations in some of the finest stores across North America. As we gained confidence, I showed our collection at the world’s largest fur fair at that time, in Frankfurt, Germany; we returned with orders from the fashion capitals of Europe, and as far away as Japan and South Korea.

It wasn’t always easy, of course – succeeding as a fur designer requires an impressive range of specialised knowledge and nerves of steel. For starters, unlike materials made in a factory, fur pelts are produced by nature and only available at certain times of the year. When the fur is prime, it is sold at auction. If you don’t buy then, you pay more to fur brokers (like my first boss), who make their living buying for others and keeping inventories for those who can’t afford to buy all the furs they may need during the year.

The tricky part is knowing which furs to buy, because you have to make samples before receiving any orders from the retailers. And you can’t take orders without having the furs to make them. If you bet wrong and don’t receive enough orders, how will you pay for the furs in your storeroom? But if you don’t have enough fur pelts in stock, you may have to pay more than expected to the fur broker, wiping out any hope of profit!

World's Lightest-Weight Beaver Pelts

You also have to know how to judge the quality of furs you buy. Our company became known for producing the finest Canadian sheared beaver coats and jackets in the world. Part of our success was weight: customers now want a lightweight garment, and I noticed that some beaver pelts were much lighter than others. It took me a while to understand that the lightest-weight furs came from Cree trappers in the James Bay region of Ontario and Quebec. One day, a Cree elder explained why.

After an animal is skinned, the leather side of the fur pelt must be scraped clean of any excess flesh or fat; the pelt is then stretched and dried before being sent to the auction. Most trappers do this work themselves, in a heated cabin or shed. Among the Cree, however, it is usually women who scrape the pelts, and they often do this work outdoors, in the cold Winter air, which makes it easier to remove all the fat. This makes their beaver pelts thinner and lighter weight, which was important traditionally because more pelts could be loaded into a freighter canoe. Today, their meticulous work still produces beautiful parchment-white leather and the lightest-weight beaver pelts in the world!

SEE ALSO: I'm an artisan designer: Fur and leather keep me warm

The Cree also helped me to understand one question that had bothered me: Why is nature so cruel as to decimate all beaver living in an area when populations get too dense? They explained that overpopulated beavers overwhelm their food supply; Tularemia and other diseases can then wipe out the malnourished animals. This is nature’s way to restore balance, because a devastated forest needs many years to regenerate. No regeneration would be possible, however, if beavers were still feasting on the tender, young aspen and willow saplings.

The beauty of well-regulated modern trapping is that the beaver populations can be maintained at stable and healthy levels, in balance with their environment, over long periods of time. That’s better for the beaver, better for the forest, and provides a beautiful natural clothing material to keep people warm in a sustainable way!

Caring vs. Knowing About Nature

I have lived my whole life in cities, but the fur trade taught me a lot about nature. We all care about nature, but “caring” without “knowing” is no use at all. Like aboriginal trappers, wildlife biologists spend years studying nature and how it works. Surely they know more about nature than self-appointed “animal-rights” activists. Paul McCartney and Brigitte Bardot may mean well, but they should probably stick to their music and acting ... and leave science to the scientists.

Socrates once said: “The only true wisdom is in knowing you know nothing.” True wisdom comes to each of us when we realize how little we understand about life and the world around us. Once we know that, we understand why it is so important to respect other people – to learn from one another – instead of trying to impose our own values on everyone.

So next time you see or wear fur, think about the beauty and wonder of nature. And think about the hard-working and knowledgeable men and women who harvested your fur, and the skilled hands that crafted this remarkable natural material into the most comfortable and luxurious clothing material in the world!

Karl Lagerfeld celebrated 50 years with Fendi on July 8 by putting on an Haute Fourrure show, the first all-fur show in the history of the Paris Couture Shows. If further proof was needed that fur is now firmly embedded into mainstream fashion, this was it.

Fendi's Fall 2015 Haute Fourrure show was impressive in every way possible. Set in Paris's glamorous Théâtre de Champs-Élysees on the third night of couture fashion week, the show's 37 looks were a display of some of the finest skins and fur techniques in the world.

The collection featured both modern silhouettes and traditional coat shapes, adorned with fox tail trains, fur flowers, and textures that resembled feathers and prints. Some favourites over here at Truth About Fur included a pink and peach coat with fur-feathered raglan sleeves, and the dress version in white and cream underneath a beautiful and dramatic intarsia coat (both above).

Cherry Sundae Year for Fur

The Fendi show is the cherry on the sundae in a year that saw fur almost everywhere. In fact, 70% of the North American and European designer shows this season included fur. (For a full list and collection review, visit the blog Fur Insider.) Designers have clearly been seduced by this most luxurious of materials and by the innovative techniques that allow them to be creative with fur like never before.

Equally important, designers like to be reassured that the fur they use comes from animals that were treated humanely. As next-generation designer Jason Wu said in this recent New York Times article, designers can now source furs with the assurance that animal welfare standards have been respected.

Celebrities, high-profile models and bloggers are also embracing fur. In fact, four of the five top models who first launched PETA’s “I would rather go naked …” campaign have all appeared in fur since then.

The trend is so strong that even activist groups are now obliged to admit that, despite all their efforts, fur is stronger than ever. As Ecorazzi commented in this recent post, “Well, this sucks. From the looks of the recent Paris runways, fur is definitely not going anywhere anytime soon."

Sales Figures Soaring

Consumers are clearly feeling reassured too, because sales are soaring.

Figures developed by Price Waterhouse Cooper for the International Fur Federation show that the global fur trade is now valued at more than $40 billion worldwide – roughly the same as the global Wi-Fi industry. Global fur retail sales are estimated at $35.8 billion, and total employment in the fur sector numbers over one million. This is not negligible for an industry that is made up of mostly family-run farms, independent trappers and skilled artisans.

The industry is especially relevant for North America, where it accounts for more than $1.3 billion in sales annually and provides income for more than 100,000 people across the continent.

The fur industry is clearly doing a better job of informing customers that they are making an ethical fashion choice. The message that the modern fur trade is a responsible and sustainable industry is being promoted by a number of groups including IFF (Origin Assured), the new FurEurope … and in North America with our own Truth About Fur campaign!

There are many arguments in support of fur, but Lagerfeld has said it most succinctly, so it is appropriate to let this great designer have the last word: “In a meat-eating world, wearing leather for shoes and clothes and even handbags, the discussion of fur is childish!”

All images from Style.com, see the entire show here.

As the cold weather settles in for another few months, I cuddle in my small country home on the Bay of Fundy. I put on my beaver house-boots and my wool sweater and thank Mother Nature for offering me all I need to keep us warm.

Living in a remote community on the Fundy shore, I am awed by the highest tides in the world. Surrounded by nature and silence, I bow to the sea which brings fish and clams to my table, and to the forests that supply firewood to keep my house cosy and wildlife to complement the seafood

My sewing skills make it possible to make clothing and accessories that will keep us comfortable.

Living in harmony with this environment, I relish a dream come true after fantasizing about it through all those years of living in some of the mega-cities of the world, a world surrounded by cement and pollution and so reinvented by humans that they can forget where they come from and who they are.

Real Meaning of Sustainability

I was introduced to fur design by professional furriers and artisans who put their skills at work to produce beautiful garments from a natural and renewable resource. Working in the Northern regions of our beautiful country, I’ve discovered the real meaning of sustainability of our natural resources.

I am thankful to the organizations who oversee good management and a respectful attitude toward our natural resources.

I am disappointed by negative and false information still spread by some organizations, sadly giving real environmentalism a bad name while imposing hardship on real people. At a time when “anti-bullying” and other forms of negative behavior are topics of public interest, we should wonder if this sentiment should perhaps apply here.

SEE ALSO: AMAZING FACTS ABOUT FUR: DRESSING FOR THE ARCTIC

Be Strong, Be Proud

While attending a recent event where I was able to display my creations, I was overwhelmed by the interest of people asking questions about the different furs in my booth, and reaching out to touch them. Often I heard the comment: “I am nervous about wearing furs ... someone might attack me on the street”.

I reply that they should be strong and be proud of wearing creations from the natural world. Every time I wear my fur coat, people come to me wanting to know what it’s made of and often comment on how beautiful it is.

Meanwhile, as I’m looking out the window at the ice moving with the tides, I am sewing and transforming a seal pelt from a vision into a beautiful garment.

One of America's most prestigious art schools, the School of the Art Institute of Chicago (SAIC), has launched its first program for fur designers. This is a significant confirmation of the importance of fur in fashion, and other schools are expected to follow SAIC's example.

The prestige attached to SAIC's endorsement of fur is huge. In a 2002 survey by the National Arts Journalism Program at Columbia University, SAIC was named the “most influential art school” in the United States.

In 2012, US News & World Report ranked SAIC the tied second-best graduate program for fine arts in the U.S., and in 2013, The Global Language Monitor ranked SAIC as the 5th best college in the U.S., the highest ever for an art or design school in a general college ranking.

SAIC's move can also be seen as recognition of fur's current prominence on the fashion scene.

Hailing as one of the biggest trends of the 2015 season, fur had a major presence this year on the runways at New York, London, Milan and Paris Fashion Week. Not only did fur dominate, appearing in over 70% of designer collections, but it also took over the streets as major bloggers and editors from all over the world showed off their fur street style.

Design students from all over the world are noticing and becoming more interested in using fur. It’s important that programs are in place for them to learn the material at their chosen school. With so many opportunities in the fur industry, students in these programs would learn to sew, design, and embrace what fur can do for their collections.

A Collaborative Effort

SAIC's decision to add the new fur program to its curriculum followed seven months of collaboration, and 15 students are already registered for its first class. Teaching them will be Liat Smestad, for many years lead designer for the Carol and Irwin Ware Fur Collection. The Wares were style-setters on Chicago's Magnificent Mile, introducing the city to such designers as Fendi, Dior and Zuki.

“Even today’s most in-demand designers had, at one point, never sewn a garment,” says Kathy Rezny of York Furs in Deer Park, Illinois, not far from Chicago. Rezny has been a huge driving force behind SAIC's decision to embrace fur design. “Those with a true passion for fashion worked their way up and now grace the runways of New York, Paris, Milan, and beyond. Every designer has a story, and York Furs is so excited to support local fashion students as they embark on their journey to create fashion forward designs.”

Materials for SAIC's new students are being sourced by Samantha Grala of New York-based ER Fur Trading Corp. ER Fur Trading provides production services in the US, China, Hong Kong, France, Israel and Italy, and also produces its own line of fur garments. Grala, meanwhile, is a member of Fur Futures, an international networking initiative set up to support the next generation of fur designers.

Also involved in the effort to expand options for would-be fur designers in the US is the Fur Information Council of America. Says Keith Kaplan, FICA's executive director, “We are presently in discussion with several other design schools and we hope to make similar announcements in the near future.”

Why is a fur coat expensive? Truth About Fur asked Zuki, renowned fur designer and manufacturer from Montreal, Canada:

"The price of a fur coat reflects many hours of skilled work required to produce it. Before designers like me ever see the pelts, there is the effort and knowledge of the trapper or fur farmer.

"Once the furs have been purchased at the auction and sent to the processors for 'dressing' and other special treatments, the pelts are individually matched for quality and coloration in the designer’s atelier. The pelts are then cut and 'blocked' (dampened, stretched and tacked on a 'blocking board') to fit the pattern.

"The sewing and finishing stages are done by experienced technicians using specialized skills that have been perfected over generations. Because furs are created by nature, no two pelts are exactly alike.

"The genius of furriers is their ability to create a homogenous fabric-like material, while skillfully using the natural character of the skins to enhance the design of each garment. The production of a beautiful fur coat may require 40-100 hours of skilled labor, or more."

More Questions About the Fur Trade?

Find the answers to all your questions about the North American fur trade at Truth About Fur, including:

• What types of fur are used in the fur trade?
• Is it morally wrong to raise animals just for their fur?
• What happens to the rest of a trapped animal when the fur is taken?
• Why is a fur coat expensive?
• How are farmed mink killed?
• How can we be sure that farmed mink are treated humanely in the United States?
• Why do we need foothold traps?
• How do we know only targeted animals are captured?
• Are the chemicals used for fur processing bad for the environment?
• ... and many more.

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