Cree trapper Robert Grandjambe Jr. shares his views about Covid-19. If you are in the fur trade and want to tell us how the pandemic is affecting you, please email us at [email protected].

Like everyone, I first learned of the new coronavirus through the news. And like everyone, I didn’t think it was too serious at the time. It seemed like it would be pretty easily contained and was just passing news. When a few of our contracts were cancelled due to the virus, now being called Covid-19, my girlfriend and I made a decision to return to the bush. At that point, the growing concern still didn’t seem to me to be something to worry too much about, but rather was another opportunity to spend time on the Land.

Since we have been out here, events continued to be cancelled, and the gravity of the situation has begun to set in. There is limited cell service at my cabin, and so while we are getting the odd update, we are not connected to the common news reel. I am now realizing that most of the entire world has watched and listened as the situation unfolded into a global pandemic, and the threat to civilization it has become.

The Covid-19 outbreak seems like a symptom of a world that is not in harmony with the Land. ... Climate change, pollution, and other environmental signs shout out that our systems are in trouble.

I think the world is awakening to the crisis now, but in many ways it has been with us for a long while. The Covid-19 outbreak seems like a symptom of a world that is not in harmony with the Land, and it is a tragedy to hear of all the lives lost. Climate change, pollution, and other environmental signs shout out that our systems are in trouble. 

SEE ALSO: "Trapping is beautiful" says proud Cree Robert Grandjambe. Truth About Fur interview.

Resetting Priorities

Clearly, we need a reset of our priorities, and there are some signs we may be ready for the wake-up. Just a month ago, big business was looking at the Teck Frontier mine as the big new opportunity. The last-minute cancellation rang the bell for the reorganization of the collective priorities of society. Now, we are hearing of the price of oil plummeting, and feeling the effects of the fragility of an economy that is not diversified, sustainable, or renewable. Governments, big business, and industry are not in reciprocal relationships with people or with the Land.

Despite all of this, as a man living with the Land, I maintain a sense of prosperity. I am confident that regardless of what happens with Covid-19, because of my skills and knowledge, I will always survive and thrive. I remain optimistic that the worst of the disease will be contained, and the pandemic can be the awakening that humanity needs - hopefully without being too damaging for our families and communities.

Fact is, I am one of the ones left who is able to maintain my ancestral relationship with this Land, that is now called Wood Buffalo National Park. As Indigenous peoples, this was our home. This was where our ancestors walked, harvested, ate, shared, struggled, loved, and died. We were here long before it was ever a park. Our ancestors lived out here in large numbers, and their absence now is not their fault, nor is it the fault of any other Nation with traditional ties to this area. We have had to deal with a long and deliberate system of oppression. It is this same system of severing ties with the Land that has our world in so much crisis today.

Personally, I feel the importance of living in harmony with the Land every day we are here. I always have felt this way. It is incredibly important to maintain a relationship with the Land. There is no place I would rather be. It feels extra comforting to be here during a crisis like this. We are taken care of by the bounty of the Land - hunting, trapping, fresh water, and air. I feel enormous comfort in knowing that the Land and our ancestors will care for our health - physically, but also spiritually, emotionally, and mentally.

Better Model of Governance?

It has not been easy. I have to work hard and consciously to maintain the connection for myself. For example, I have fought for five years to have a harvesting cabin at nearby Pine Lake, only 100 kilometers from the cabin where I am now. Today, I am still fighting rules and regulations that fail to respect the inherent rights of Indigenous systems that are deeply connected with Lands, and with the sacredness of our old relationships. This oppression comes directly from a Western system that has caused division – between Peoples and Nations, and also between each of us and our Lands. In this time of crisis, maybe we will begin to see the consequences of these Western systems of governance and control, and we can move forward to a better model. One that is healthier for us all – both here in the park, and indeed, across all the Lands in Canada.

The Land always has the final say, and we are being reminded of that.

Indigenous peoples have to come together, to be strong, and to share these strengths for our existence moving forward. We need to be creative and find ways to share our knowledge. Indigenous peoples know the value of the Land and have always shared it willingly. We are resilient, and continue to be through colonization and all the imposed concepts of ownership that attempt to destroy our connection with our Lands. This is where I feel my strength - through resilience - and I will continue to develop ways to share, despite what happens in the world around me.

Today, we are at Moose Island in the boreal forest, and we are content. We are also sending love and healing to everyone going through this uncertain time in their own ways. I want to encourage you, if you can, to take the opportunity to get on the Land, wherever you are. It is important to take care of our own hearts and spirits at this time - and I truly believe our connections with Nature are a big part of the solution moving forward. The Land always has the final say, and we are being reminded of that.

SEE ALSO: New priorities? Fur in a time of coronavirus. By Simon Ward, editor, Truth About Fur.

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City’s Fur Ban an “Unconstitutional Attack on Consumer Rights”

The International Fur Federation (IFF) has launched litigation to prevent San Francisco from implementing a city ordinance banning the sale of fur. The ordinance, passed in 2018, gave existing department stores until Jan. 1, 2020, to sell off their remaining fur stock and prohibits the sale of newly manufactured fur coats, hats, gloves, fur-trimmed parkas, and other products.

The lawsuit, filed on January 13, argues San Francisco has “no legitimate local interest to ban fur sales” and that the ordinance is an “unconstitutional restriction on interstate and foreign commerce”.

“In an attempt to legislate morality, Supervisor Katy Tang, sponsor of the ban, stated that businesses ‘need to get with the times.’ Yet the current times do not allow for ignoring the Constitution’s prohibition on restraining interstate commerce,” said Mike Brown, the IFF’s CEO for North America.

“Proponents of San Francisco’s fur ban, including the radical animal rights group PETA, also want the sale of leather, wool, and other animal products to be banned,” said Brown.

Contrary to San Francisco city council claims, fur products remain popular with consumers in that city and nationwide. Fur sales in San Francisco alone are estimated to be $40 million annually. Globally, the fur industry is a $23 billion business. A 2019 Gallup poll also confirmed that a majority of Americans believe that it is morally acceptable to wear fur.

While fur producers worldwide are complying with the humane standards under the IFF’s new FurMark program, San Francisco’s fur ban is so extreme that it blocks even humanely certified products. FurMark is a certification program to provide consumers with assurance about animal welfare and sustainability standards in place for the production of fur products in North America and Europe.

The San Francisco fur ban is completely arbitrary and creates a troubling precedent for other responsibly produced animal products. “If this law is allowed to stand, there’s nothing stopping San Francisco from banning wool, leather, meat, or other products that a small group of activists don’t approve of,” said Mark Oaten, CEO of the IFF.

“Californians should have no fewer rights than residents of other states. They should be free to buy legally produced goods unless there is a public safety or health issue - which does not exist here,” said Oaten.

Counter-Productive in Fight Against Pollution

Along with harming local businesses, San Francisco’s fur ban will have unintended consequences that damage California’s efforts to fight pollution, because the “fake fur” alternatives to natural fur are made with petroleum. Research is showing that these synthetics shed microfibers into the waterways when they are cleaned. Plastic microfibers are now even being found in marine life. A single garment can shed 100,000 microfibers in the wash.

“Plastic microfibers are a leading cause of ocean pollution, in San Francisco Bay and the Great Pacific Garbage Patch. The National Science Foundation recently announced that microplastics may be 1 million times more prevalent than previously estimated,” said Oaten.

SEE ALSO: Global Campaign Highlights Benefits of Real Fur Over Plastic Fake Fur. Truth About Fur.

California Faces Flurry of Legal Challenges

The IFF lawsuit is the latest in a string of legal challenges to California’s attempt to legislate “morality”. The state of Louisiana and a coalition of members of the alligator/crocodile supply chain have sued California over its ban on alligator and crocodile products, which was slated to take effect Jan. 1. As a result, a temporary stay was imposed on the implementation of this ban.

Recently, California was also sued by the American Farm Bureau Federation and the National Pork Producers Council over the state’s sweeping ban on the sale of conventionally produced pork products, legislation slated to take effect in 2022. Litigation against California’s foie gras ban is also ongoing in federal court.

SEE ALSO: Why a Ban on Fur and Foie Gras Should Matter to Ranchers.

The fur industry’s legal challenge zeroes in on the constitutionality of state and municipal fur bans in California under the Commerce Clause of the US Constitution. Additionally, legal experts believe US states cannot arbitrarily ban products from foreign countries from being sold under free-trade treaties such as the North American Free Trade Agreement. The IFF lawsuit was filed in the US District Court for the Northern District of California. Los Angeles and the California state legislature also passed fur bans in 2019, but they do not take effect for several years.

“California’s fur bans are an arbitrary assault on consumer choice and retail businesses," said Brown. "These laws ban a responsibly and legally produced natural product from the marketplace simply because certain special interests don’t like the product. This is a startling precedent, to impose the morality of specific groups onto all citizens. There is no legitimate issue of public health and safety behind fur bans - simply a belief by some lawmakers that they don’t like fur, and therefore no one should be allowed to buy it."

SEE ALSO: 6 Reasons Why Banning Fur Sales Is a Very Bad Idea. Truth About Fur.

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Despite some unfortunate flaws in the section on fur, with Putting on the Dog: The Animal Origins of What We Wear (Trinity University Press, San Antonio, 2019), Montana poet Melissa Kwasny has produced a fascinating read and done a service by highlighting the continued importance of animal products in our lives.

Kwasny set out to “investigate the history and ongoing relationship forged between humans and the nonhuman animals whom we still depend on to clothe and adorn us.” In this quest, she says, “one of my goals has been to meet and learn from people who spend their lives working with these animals – hunters, trappers, farmers, ranchers and shepherds – and find out  what their experience can teach the rest of us in a broader sense about our place in nature.”

She also sought to explore the “time-consuming process of making and, therefore, interacting with the material these animals provide, by hearing from tanners, spinners, weavers, sewers, dyers, and artisans of all sorts.”

What does it mean, she asks, for us as consumers (and as individuals) to have lost connection with the source of our clothing, now that few of us make our own anymore?

Fascinating Voyage

“Putting on the dog” is an American expression meaning to get dressed up for a special occasion, perhaps derived from the stiff “dog collar” shirts once worn for formal events at Yale University. Kwasny finds it an appropriate title for her book because it reminds us that the materials animals provide “are precious, given that they often require the loss of an animal’s life and hours of care from those humans who have hunted it, raised it, and crafted painstakingly elegant and practical things from it.”

What follows is a fascinating voyage into the world of six important animal products: leather (including sheepskin), wool (including cashmere, angora, and mohair), silk, feathers (including down), pearls, and fur. Her voyage takes her – and us -- from Alaska’s tundra to sheep farms atop Montana’s Continental Divide, from silkworm farms in northern Japan to a mink farm on Denmark’s western coast, and to pearl beds in the Sea of Cortes.

Her first stop is a visit to a Yu’pik community in Alaska where she considers the aboriginal understanding of how animals “give themselves” to the hunter. “The worst thing is to not appreciate that gift or to turn it down,” she writes. For the Yupiit – like other aboriginal peoples -- making beautiful clothing from these gifts is a way to pay respect to the animals that provide them. As Barry Lopez wrote in his 1986 masterpiece Arctic Dreams, “It was the gift rather than the death that was preeminent in the Eskimo view of hunting.” (PETA take note!)

Kwasny then explores commercial leather production, tracing the process back from wholesalers and tanners, to the abattoir and cattle ranches, becoming aware of the skills, knowledge - and the animals - incarnated in that beautiful leather wallet, jacket, or pair of shoes.

"Green" Wool

The next chapter recounts the remarkable history of wool since the domestication of sheep some 8,000 years ago. As an indicator of the economic importance of wool in British history, Kwasny reminds us that the Lord Speaker of the UK's House of Lords "today literally sits on a sack of wool, the ‘Woolsack’.” The wool industry has also been good for sheep: there is now one sheep for every six people on Earth.

Kwasny visits people who are raising traditional breeds (including some that produce natural colour ranges, without dyeing), as well as artisanal spinners whose wool commands premium prices among knitters ready to pay the price to know by who and how their materials were produced. “They want to be assured their wool is ‘green’, that the processing of their wool has low impact on the earth. They like to think about what flock it comes from.” (Could that be a market trend for the fur industry to consider as we implement traceability with the International Fur Federation’s FurMark?)

At the other extreme, Kwasny exposes the impact of global demand for cheap cashmere. Over the past 50 years, the domestic goat population of Inner Mongolia has soared from about 2.4 million to more than 25.6 million, resulting in overgrazing and, in some cases, desertification of fragile grasslands.

Environment-Friendly Silk

The chapter on silk production tells a fascinating story that will be new to most of us. “No one who has heard the sound will ever forget the low all-night roar created by the munching of thousands of voracious silk worms in a Japanese mountain farm-house!” In one interesting section, producers respond to critics concerned that the silkworms - which are actually caterpillars of the silk moth - must be killed to extract their silk. About 150 silkworm cocoons are needed to produce a silk scarf or tie – and up to 9,000 cocoons for a single traditional Japanese lady’s silk kimono and undergarment. But if all the pupae were allowed to hatch into moths, silk farmers explain, there would not be enough mulberry leaves in the world to feed the next generation. In fact, after so many centuries of cultivation, silkworms have lost their ability to find food on their own, while the moths can no longer mate without help. “The silkworm is a human invention now.” Furthermore, sericulture is environment-friendly, using little energy and a fraction of the water needed to grow cotton, while mulberry trees produce oxygen and nutrients for the soil. In contrast, cotton – a vegan clothing material of choice - accounts for 3% of global water consumption and 7% of US pesticide use, Kwasny reminds us.

A chapter on the evolving use of feathers and down is equally fascinating. Ostrich feathers, Kwasny recounts, became hugely popular when Eugénie de Montijo, the last Empress of France as the wife of Emperor Napoleon III, wore one on her hat, and were worth nearly as much as diamonds (by weight) by the beginning of the 20th century. At the market’s height, in the 1890s, South Africa was feeding and plucking a million ostriches a year. (In an interesting parallel with the fur trade, more than 90% of the South African feather merchants were Jewish immigrants fleeing pogroms in Russia.) Most of these feathers went to England, centre of the global millinery trade, and when the Titanic went down in 1912, en route to New York, some 20,000 pounds of ostrich feathers sank with it. Kwasny also provides an interesting overview of modern down production, mostly for pillows and quilts but also for the lightweight coats and parkas that often include fur-trimmed hoods.

The chapter on pearls includes a short history of the industry and its current evolution, including concerns for sustainability. Who knew that pearls were the most valuable resource the Spanish found in South America, until they began mining silver in Bolivia and Peru? Or that one of the world’s most famous pearls is named La Peregrina - The Wanderer. Pear-shaped and the size of a dove’s egg, this extraordinary pearl was bought by King Phillip II of Spain (1527-1598), who designated it an official Spanish Crown Jewel. It later "wandered" to France, so gaining its name, and then England, until in 1969 it was purchased at auction by Richard Burton, for $37,000, as a Valentine’s gift for Elizabeth Taylor. In 2011 it sold for $11 million.

Grappling with Fur

The final chapter is about fur, and it is here that Kwasny clearly has the most difficulty.  The chapter begins with her visit to a Danish mink farm on the Jutland coast, where she sees for herself that the animals are well cared for. Nonetheless, while perusing fashion photos, Kwasny reflects that fur seems somehow too ostentatious; no one she knows wears fur. “Conspicuous consumption seems less relevant to our lives,” she observes. To her credit, however, she wonders “how much of my attitude has been conditioned by the advertising budgets of PETA.”

What constitutes an ethical relationship with animals? she wonders. "Do I sincerely wish that there were no more mink farmers like the Kvist Jensens? Am I ready to demand the extinguishing of all such rural knowledge, of this husbandry, passed between generations, of this culture of seasons, weather, tools, the farmers’ ‘gear and tackle and trim,’ and instead offer my homage to the chemists who make each day anew our pleather and polyester and faux fur?”

Kwasny is an honest investigator, but the fur cause is not helped when a fur farmer and then an auction employee – while admitting they know nothing about it - tell her they think trapping is cruel. And while Kwasny does quote biologists, the International Fur Federation, and even my own writings to explain the environmental credentials of fur as a sustainably produced natural material, her section on trapping is perhaps the weakest. Unlike the other sections, this one is based solely on secondary sources – including claims by anti-fur groups that are left unanswered. To her credit, Kwasny does clearly report the serious environmental problems of synthetics, including fake furs.

Kwasny acknowledges that when she began her book, she knew fur would be the most difficult chapter for her to write. Though we eat meat, and wear leather, wool and silk, “fur alone brings us face to face with the fact that we need to kill for it. Fur is the least transformed of all animal products.”

Interestingly, Kwasny ends her book with a call for moderation. Everything we use comes from nature, and, contrary to PETA’s claims, she recognizes that it is not possible to live on this Earth without using resources and harming other beings. The only ethical response to this dilemma, she proposes, is to consume less. Buy less but better-quality clothing, especially from natural sources – plants and animals – and care for them so they last as long as possible. Sounds like a great sales pitch for fur!

In summary, while parts of the fur section will cause people who know the industry – especially trappers - to squirm with frustration, Melissa Kwasny has produced an interesting and worthwhile read. She reminds us of the fascinating range of skills and knowledge maintained by people who work with animals, and the materials those animals provide. I only hope that a good trapper will invite her out onto the land to more fully understand that experience before she writes the second edition of Putting on the Dog.

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Recent proposals to ban the sale of fur in several US cities and states are based on a fiction – a dangerous fiction – the origins of which can be traced back more than 30,000 years. That’s when, as Yuval Noah Harari recounts in his popular book Sapiens: A Brief History of Humankind, a remarkable mutation occurred in the brains of one of the six human-like species that then existed. That mutation, scientists speculate, allowed our ancestors to do something no animal had ever done: live in an imaginary world.

To understand the importance of this breakthrough, consider money, nations, and human rights, to name just a few vital elements of our civilization. Unlike rocks, trees and other things we see around us, these important concepts exist only because we believe in them and act accordingly.  Money, for example, has value only because we all agree that it does -- so people will give us stuff for it.

The ability to act as if such “fictions” really exist is central to what makes us human. It gives sense to our lives and allows us to work together in large groups for common purposes. But our fictions can also lead us seriously astray: think of Nazism or Communism. Both promised a better life but delivered only misery, not least because they were based on erroneous ideas about humanity: Aryans are not a superior race, and central planning is not efficient. A similar disconnect with reality lies at the heart of recent proposals to ban the sale of fur products in certain US cities and states. Let’s take a closer look.

Justifications for Banning Fur

There are only two possible justifications for banning fur. The first would be if fur were not produced responsibly. Most of us believe that it is morally acceptable to use animals for food and other purposes so long as species are not depleted (sustainability) and the animals are raised and killed with as little suffering as possible (animal welfare). As documented throughout the TruthAboutFur website, the modern fur trade satisfies these moral requirements: both wild and farmed furs are now produced at least as responsibly and sustainably as other animals we use for food,  leather and other purposes. *

But if fur is produced responsibly, the only remaining rationale for banning it would be to claim that any killing of animals is wrong. This idea has been elaborated over the past forty years by Peter Singer, Tom Regan and other “animal rights” philosophers. Simply put, they argue that the life, liberty and pursuit of happiness of “non-human animals” deserve the same respect as those of humans. Just as discrimination against people of colour is now denounced as Racism, and discrimination against women is rejected as Sexism, Animal Rights philosophers propose that using animals for food, clothing or other purposes should be condemned as “Speciesism”. As PETA founder Ingrid Newkirk famously charged: “There's no rational basis for saying that a human being has special rights. A rat is a pig is a dog is a boy.” **

At first glance, this proposal can seem compelling. Just as the idea of extending rights to all races, classes and genders (Human Rights) was once scoffed at, Animal Rights philosophers argue that it is time to extend our moral circle to include all animals. But all social and moral constructs are not created equal. Human Rights is a highly functional “fiction” because human society is clearly strengthened when each member feels that their personal rights and needs are secured. Animal Rights offers no such benefits.

Animal Rights is, in fact, completely out of synch with how the natural world really works. Like it or not, life eats life. Animals only survive by eating other living organisms, plants or other animals. But animals do not usually eat members of their own species. Contrary to the claims of animal rightists, there’s nothing arbitrary or hypocritical about humans eating other animals but not (usually) each other.

The evolutionary logic for not killing members of your own species is evident, especially for humans. If you kill me, my kids come for you, then your kids come for my family, and on it goes – not very conducive to social cooperation or stability. Killing and eating other species provokes no such complications.

Problems with Animal Rights Logic

Most worrisome, the logic of Animal Rights may actually threaten human (and animal) welfare. Activists argue that no one needs real fur anymore because fake fur provides a “cruelty-free” alternative. But fake furs (and most other synthetics) are made from petrochemicals that are not renewable or biodegradable. New research reveals that these materials also leach micro-particles of plastic into our waterways and marine life each time they are washed. Cruelty-free indeed!

By contrast, using fur in a well-regulated fashion is fully compatible with an ecological (i.e., ethical) relationship with nature. Farmed fur animals are fed left-overs from our own food production, the parts of pigs, chickens and fish that we don’t eat and would otherwise clog landfills. Fur farm wastes – manure, soiled straw bedding and carcasses – are composted to produce organic fertilizers, renewing the fertility of the soil and completing the agricultural nutrient cycle. There is no natural farming system that does not include animals.

The production of wild furs is also based on ecological principles: most wildlife species produce more young each year than their habitat can support to adulthood. The sustainable use of this natural surplus is promoted by the International Union for Conservation of Nature (IUCN) and other conservation authorities.  In fact, many wildlife populations would have to be culled even if we didn’t use fur, e.g., to prevent damage to property (flooding caused by beaver dams), to protect livestock (coyote predation), and to control the spread of dangerous diseases (rabies in overpopulated raccoons).

Living Outside Natural Reality

All this was clear so long as most North Americans still had family on the land who understood the realities of nature. But now, for the first time in human history, most people live in cities. When your food comes from supermarkets, while animals dance and sing on your TV screen, and the live animals you know are surrogate children that sleep in your bed, it is easy to believe the killing of animals is as morally reprehensible as abusing human rights.

Due to our highly developed brains, we all live to a certain extent outside the biological-natural reality. All legislation is a human construct, and different societal “fictions” constantly compete for public acceptance. Animal Rights activists have been very adept at using sensationalist tactics to convey their stories through both traditional and powerful new social media. As PETA’s Ingrid Newkirk says: “We’re complete media sluts; we didn’t invent the game but we learned to play it!” But stories that win mass appeal do not always end well if they are not grounded in reality.

Animal Rights seems to some to represent a more gentle relationship with nature at a time when pollution and the spectre of global warming are exposing the dangers of rampant consumerism. But as this brief analysis suggests, basing public policy on the ideas promoted by Animal Rights advocates can have unexpected consequences. The Nazis’ fascination with Animal Rights will be the subject of a future essay. For now, suffice to say that encouraging the use of petroleum-based synthetics is not the way to protect our planet for future generations. Using natural, renewable, long-lasting and biodegradable materials like fur makes environmental sense. Politicians take note.

FOOTNOTES:

* In addition to sustainability and animal welfare, two further requirements for ethical animal use could be proposed: animals should not be killed for frivolous purposes, and most of the animal should be used (no waste). For a fuller discussion, see The Ethics of Fur, TruthAboutFur.

** While the Animal Rights philosophy opposes any use of animals, fur is often seen as an easy target; no city or state is proposing to ban the sale of meat or dairy products. Note, however, that Peter Singer, the intellectual godfather of the Animal Rights movement, wrote in his 1975 landmark book Animal Liberation: A New Ethics for Our Treatment of Animals, that it is hypocritical to criticize fur-wearing while most people are still eating meat, which requires the killing of far greater numbers of animals.

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Conventional wisdom is clear on why, since time immemorial, wolverine fur has been the preferred material for hood trim in the High North. In essence, the thick, dark, oily fur is hydrophobic, which means it repels water, and thus prevents the build-up of frost caused by condensation of the wearer's breath. The only problem is, none of this is true.

While everyone agrees that wolverine fur makes the finest lining for parka hoods in sub-zero conditions, experts still don't have a clear understanding why. But they do know that it's not hydrophobic, it doesn't repel water, and, given the chance, it allows frost to build up just like any other fur.

Before we dispel the myths surrounding wolverine fur, here's some background. Wolverine fur is generally considered too long and the leather too heavy for use as whole coats. Instead, it is revered as trim for hoods by the Indigenous people of the Arctic and sub-Arctic, in preference to the more readily available (and therefore cheaper) wolf and coyote. But it's not entirely about functionality. Sometimes a strip of wolverine fur is placed next to the wearer's face, then surrounded with the long, silvery mane of a wolf, creating the famed "sunburst" ruff. The effectiveness of these ruffs in keeping the wearer warm has been scientifically proven, but they can also be spectacularly beautiful, so they're also worn for show!

SEE ALSO: Why fur trim keeps us warm. Truth About Fur.

What Is Hydrophobicity?

So where do the myths about wolverine fur originate? Let's start with that confusing word "hydrophobic". It probably doesn't mean quite what you think it does, or even what your dictionary says.

When we talk of phobias (from the Greek phóbos, meaning "aversion", "fear" or "morbid fear"), we think of being repulsed by something. Hence the word "hydrophobia" was historically used as a synonym for rabies because sufferers often fear water (and liquids in general). From this, scientists came to use the word "hydrophobicity" to describe the behaviour of certain surfaces in the presence of liquids. Then, for whatever reason (laziness, misunderstanding, or lack of a better word?), dictionaries decided to use "repel" in their definitions. The Free Dictionary, for example, defines hydrophobicity as "the property of repelling water rather than absorbing it or dissolving in it."

Strictly speaking though, hydrophobic surfaces don't repel water at all. Two magnets of the same polarity, for example, repel each other, but hydrophobic surfaces don't repel water; they simply don't attract it. So even if wolverine fur were hydrophobic (which, as we'll see, it isn't), it would be wrong to say it repels water.

Many examples of hydrophobic surfaces exist in nature, all highly unattractive to water but not repelling it per se. Perhaps the best-known is the leaf of the lotus flower, after which the "lotus effect" is named. These leaves, and those of other plants like nasturtiums and prickly pears, use hydrophobicity to keep clean. Rain drops gather dirt while the surface architecture minimizes their adhesion to the surface itself. The same phenomenon is seen in the wings of insects like butterflies and dragonflies. Meanwhile, insects that live on water, like water striders, or spend most of their lives under it, achieve hydrophobicity through tiny hairs that make them virtually unwettable. Then there are penguins. One reason penguins excel at swimming is a layer of trapped air that coats them. Aside from providing insulation, this air reduces drag when swimming, and they can release it to accelerate when jumping out of water to land.

"Frost-Shedding"

So how about the claim that wolverine fur prevents the formation of frost or ice from the wearer's breath? Again, it's a convenient explanation, but not actually true.

Research on the efficacy of fur trim was ramped up during World War II, when thousands of military garments made use of it, notably wolf and coyote. Writing in 1952 for the Journal of Mammalogy, Rollin H. Baker found wolverine out-performed both these furs, but not because frost didn't form on it. On the contrary, it did. It was what the wearer did next that mattered.

On the performance of wolf and coyote, he wrote: "As long as the fur trim can be kept dry, it functions quite well. However, once rime or frost has accumulated on wolf and coyote fur trim it cannot be brushed or shaken off. Therefore, in order to remove the rime, the garment must be warmed to the point where the rime either sublimates or passes through a liquid stage before it is evaporated. When air temperatures are low enough to cause direct freezing of the breath on the fur trim of garments, thawing caused by warm air currents from the body wets the fur. It thus becomes very uncomfortable to the wearer and also loses its ventilating quality."

All of which sounds thoroughly miserable, particularly if that thawed frost turns into the last thing you want on your hood trim: clumps of ice - icicles even - drawing heat away, disrupting air flow, and dragging your hood down with the sheer weight. (For an idea of how bad things can get, just Google "ice beard".)

So how did wolverine fur compare?

"Here is the point of difference between wolverine fur and most other furs," wrote Baker. "Frost or rime actually will form on wolverine fur at sub-zero temperatures, but it can be readily brushed off with a simple flick of the mitten and thus the fur can be kept dry. If the rime is not brushed off, the fur will become wet and uncomfortable, just as other furs do."

In other words, the myth that wolverine fur prevents the build-up of frost is wrong. Frost forms on wolverine fur just like on any other fur. What sets it apart is what Baker called its "frost-shedding quality" - the ease with which it can be brushed off.

So Is It Hydrophobic?

In case you think all this talk of repulsion versus non-attraction, and frost-prevention versus frost-shedding, is splitting hairs, let's now address the elephant in the room. Is wolverine fur hydrophobic or not?

Scientists are extremely interested in hydrophobicity for a whole range of possible applications in things like aircraft, road and power-line maintenance, building construction, energy efficiency in cooling devices, car windshields, and protection of crops. So in 2012 Boris Pavlin, then at Carinthia University of Applied Sciences in Austria, subjected wolverine fur to a whole gamut of tests to see why it's so effective at "frost formation suppression".

Pavlin's test for hydrophobicity was simply to photograph the contact angle between droplets of water at various locations on a wolverine hair (see photos above). Clearly, there is no comparison between these images and the lotus leaf we saw earlier, and Pavlin's conclusion was unequivocal: "the surface was NOT hydrophobic" (emphasis not added).

Then How Does Wolverine Fur Work?

Sadly, there is still no clear understanding of why wolverine fur is so effective - or, to be precise, why it's so easy to brush frost off before it becomes a problem. But it seems certain that when an answer is found, it won't point to one factor alone.

One proposal is that wolverine guard hairs are uncommonly smooth, with no tiny barbs to stop frost from falling off. Using a scanning electron microscope, Pavlin confirmed that the middle parts of wolverine guard hairs are indeed smooth. The tips, however, showed a "very interesting pattern" of barbs.

He also tried freezing hair tips and testing for any abnormal surface electrical charge that might influence frost or ice formation, but found none (though he thought this should be revisited with optimal testing equipment). There were also no chemical substances on the hairs' surface. And in one test which seems unrelated to the purpose of his research but may prove useful to someone, he found the tensile strength of wolverine hairs to be remarkable as he could stretch them by more than 20%! But no silver bullet to explain everything.

"Many different strategies contribute to easy frost removal," he concluded, adding that "some questions remain unresolved and should be subject of further research." But he did at least come up with one definitive finding, which he states cryptically as: "A non-hydrophobic surface is superior to other existing approaches - a proof that the most obvious solution doesn't need to be the right one." In short, while it might seem obvious that wolverine fur is hydrophobic, it's not.

***

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When New York City Council Speaker Corey Johnson, who represents the Garment District, announced a proposal back in March to ban future sales of fur in the city, many viewed it as another case of politicians blindly following a trend. After all, the animal rights industry has made a national business out of vilifying the animal consumption world - regardless of what’s fact or fiction.

But what animal rights activists and political sponsors assumed would be an easy steam-roll over “rich white women” and “redneck trappers and farmers” who support fur usage, has proven shakier than imagined. Perhaps the large majority of Americans who recognize the regulated usage of animal by-products as both sustainable and practical, wasn’t quite anticipated.

We sure do live in interesting times in American culture! If I sound punchier than usual, it's with good reason.

When the public just won’t pay attention to self-righteous anti-fur diatribes, it's become a national trend to politically force legal bans upon the masses of your fellow citizenry instead.

California knows this process all too well, with the cities of Los Angeles and San Francisco both imposing bans on the sale of fur recently. Political pressure has also been applied with current legislation seeking to totally snuff out regulated trapping and the sale of wild fur statewide.

It doesn’t take a business strategist to see what’s going on. Clearly, in the eyes of the animal rights industry, the “east coast” was in need of a dust-up with some good ol’ frivolous (and completely egregious) hunting and garment restrictions. Hopes were quickly imposed to ensure New York City becomes the next “fur-free” urban mecca.

The only difference from the antics playing out on the west coast: the Big Apple isn’t going down without swingin’… hard!

SEE ALSO: New York fur ban: Furriers fight to save sustainable industry. By Alan Herscovici, Truth About Fur.

We Don't Care How They Do It in California

According to trade group FurNYC, the city still has the largest retail fur market in the country, stating the 150 remaining fur businesses in New York create 1,100 jobs and produce $400 million in revenue per year.

And it's not just backwoods fur trappers supporting the industry. As the NYC fur ban really started to heat up this May, folks from all walks of American life came out to fight the proposal.

African-American and Jewish faith leaders added to the protests in opposition, stating that the ban discriminates against their cultural heritage. Outspoken immigrants weighed in regarding the potential loss of skills and careers. Celebrities jumped into the mix to criticize government who thinks it can tell its people how to dress. Anyone who recognized fur as a sustainable material made sure to join the vocal movement against the ban.

"People feel complete when they put on something that they worked hard for, they have sacrificed for," said the Rev. Phil Craig, who was among 75 clergy and other advocates who turned out at one protest against the ban.

In a Tweet sent out in May, The Coalition For Blacks For Fur stated: “This fur ban will destroy jobs, the environment, and critical tax revenue.”

Apparently, the pushback from a ban on fur in NYC was more than the city’s politicians expected.

“Maybe I should have thought more about this before I introduced it because I didn’t realize the amount of pushback there would be,” Johnson told reporters at City Hall. “I was actually moved by some of the furriers and their testimony,” he said.

Animal rights proponents, on the other hand, still desperately contend the usage of fur is trending downward. (All the more reason to force a ban I guess, right? These folks clearly aren’t famous for their rationale.)

On the contrary, a national locavore movement seems to be fueling a revival in sustainable materials, like fur, which is probably why industry leaders like PETA and the Humane Society of the US are scrambling to support restrictions on fur usage and regulated hunting of fur across the country.

SEE ALSO: HSUS and PETA: Top fur ban proponents not credible. Truth About Fur.

We reported just a few months ago about the booming demand for coyote fur-trimmed winter jackets produced by Canada Goose. And it's not just fashion - more and more rural citizens are interested in ethically utilizing fur-bearing species that pose problems to homes, property, and livestock.

With synthetic fibers from “faux fur” coats flushing 1,900 fibers into our world’s waterways every wash, it's no wonder that eco-conscious citizens are turning to more natural ways to reduce the “plastic footprint” that all parties seem to agree is a global issue.

In the case of wild fur especially, the regulated seasonal trapping and usage of fur pelts from abundant wild species such as raccoons, skunks, and beaver is nationally considered wise use of resources that are otherwise destined for the landfill when they’re struck by vehicles, lose habitat due to urbanization, succumb to disease, or cause conflict for landowners and municipalities.

Environmental and wildlife management aspects aside, an underlying theme heard from citizens in the NYC fur ban debates is clear - freedom of choice.

The “my closet, my choice” meme seems to be resonating with a growing sector of the American population that has grown tired of hollow protests and frivolous government bans.

It appears as though the “freedom of choice crowd” carries the bigger stick - at least for the moment.

SEE ALSO: Progressive politicians should promote fur, not ban it. By Alan Herscovici, Truth About Fur.

Wrong Info Creates Wrong Decisions

While some people are certainly foaming at the mouth to drive another nail in the coffin of rural culture, many more are lighting their torches and wielding their pitchforks against fur-supporters based on hearsay rather than tangible information.

“All-knowing” celebrities like fashion designer Tim Gunn have been outspoken supporters of the fur ban. Gunn told reporters that “Foxes, rabbits, chinchillas and even dogs and cats are anally electrocuted, gassed, bludgeoned and often skinned alive.”

Even Speaker Johnson, in explaining to reporters why he proposed the ban, said he “really just did it because I felt like it was the right thing to do in my heart.”

Apparently Johnson and Gunn, and also PETA representative Dan Matthews who echoed similar statements, did not do their homework before pushing for a city-wide ban. They also haven't been paying attention to the news lately.

In March, two Chinese workers came forward stating they’d been paid by animal rights activists to skin a dog alive on video. That video, which has been circulated around the internet, is the only crutch the animal rights industry has been able to rely upon for the out-of-left-field (and inherently false) statement that licensed trappers and fur farmers “skin animals alive for their fur”.

SEE ALSO: Notorious "skinning fur animals alive" video exposed as complete fraud! By Alan Herscovici, Truth About Fur.

Of course, licensed fur trappers and fur farmers know full well skinning animals alive isn’t part of the pelting process - but who asked them, right? Not the mainstream media, not the government officials imposing these bans from city to city, and certainly not the anti-hunting/anti-fur crowds.

While some may argue that fur pelts aren’t “needed” in the modern age, some could also argue that the detractions against regulated fur usage are also in dire need of some evolutionary creativity.

There’s nothing wrong with disagreements in opinion, the usage of animal byproducts, or even wildlife management fundamentals. A disagreement however, is far from shoving cult-like laws and legal bans down the throats of the American people.

No Such Thing As Bad Publicity

For the animal rights industry, I suspect the battles over fur bans from coast to coast (and coat to coat) present themselves as a win/win situation.

Even if the NYC fur ban caves to the pressure of citizens’ right to choose, the animal rights organizations spearheading the ban still walk away with profitable notoriety as a byproduct of their latest PR stunt.

Which is why, despite the lunacy of strong-arming a ban on the usage of a natural resource, the organizations, celebrities, and politicians involved in perpetuating the NYC fur ban will continue the circus act from city to city, state to state, country to country, and, inevitably, closet to closet.

Let's be real, if anyone supporting a ban on fur garments actually cared about animal welfare, they’d do their due diligence by researching all aspects of the debate, rather than selfishly hiding behind a protest sign or online petition. But alas, ignorance breeds ignorance; and a false sense of “moral superiority” just breeds more lackluster grandstanding - an obvious hot commodity surrounding the topic.

Perhaps it's time the (already heavily regulated) hunting, trapping, and fur-garment communities take a page out of the animal rights industry playbook and soak up a slice of the publicity pie themselves.

At the end of the day, groups like PETA don’t care if they win or lose another media-fueled public cage match - I’m talking about them aren’t I? And that’s what ultimately sells - whether the facts lean in favor of their views or not.

Supporters of the regulated usage of natural fur materials would be hard-pressed to find a better microphone than the one they’ve been forced to fight against in New York City - and it's time for those invested parties to take full advantage of this circus while it's still in town!

Suffice to say, the animal activism industry has a PR problem: the men and women protesting the NYC ban on fur aren’t your run-of-the-mill rural fur trappers and mink farmers the American public has been conditioned to demonize. Collectively, the folks most outraged over the proposed fur ban represent a cross-section of modern America - all creeds, all races, all classes, all political affiliations.

Sometimes, a government-backed “ban” on a particular material or chemical makes sense to protect the health of its citizens (or the natural resources we all cherish and have been tasked with conserving). The NYC fur ban, clearly, is not one of those instances.

A ban on clothing choice? Especially from a material that is regulated, and has proven no modern negative impact on our environment (while the alternative product has proven to cause environmental harm) - well now, we all know that’s just silly.

At the end of the day, whether NYC moves forward with its ban on fur or not, one thing has been made painfully clear: the animal rights industry can’t claim the “moral majority” any longer.

Progressive politicians in Los Angeles, San Francisco, and now New York City are trying to ban the sale of fur in their jurisdictions, claiming furbearers die for products we no longer need. New York City Council Speaker Corey Johnson has proposed a ban "because I felt like it was the right thing to do in my heart." But is it the right thing to do?

“Progressives” pride themselves on supporting government action to promote social justice, equality, and, increasingly, protection of our natural environment. But the modern fur trade embodies many of the principles that progressive politicians claim to support.

Let’s look at some of the reasons why progressive politicians should be promoting fur, not seeking to ban it.

1. Fur Products Are Handmade by Skilled Artisans

In this age of industrialized mass-production, fur apparel and accessories are still cut and sewn by skilled artisans. These people maintain remarkable craft skills passed down from parents to their children through generations.

Because of the high value of the raw materials and the specialized skills required, fur products have never been made in the sweatshops that continue to plague parts of the apparel industry. Fur garments are one of the few things we buy that are still made individually, by hand. In fact, each fur piece is really wearable art, often involving 30 hours or more of skilled work to produce.

This remarkable heritage industry should be valued and protected by everyone who appreciates the cultural and human value of craft traditions.

SEE ALSO: Heritage products to warm the body and soul. By Brenda Dragon, president. Aurora Heat.

2. Fur Is Produced on Small Family Farms

More than half of the fur produced in the US (closer to 80% worldwide) is now produced on family-run farms. Fur farms are viable in regions where poor soil or harsh weather make other forms of farming difficult, and provide much-needed employment and income in many rural communities.

Industry standards (now being certified by third-party auditors) ensure that farmed mink receive excellent nutrition and care, in part because there is no other way to produce the high-quality fur for which North America is known. Farmed mink are fed left-overs from human food production - the parts of chickens, pigs and fish that we don’t eat, that otherwise might clog landfills. Mink manure, straw bedding and carcasses are composted to provide organic fertilizers to replenish the soil, completing the agricultural nutrient cycle.

Support for rural communities and sustainable agriculture are two important contributions of fur farming that progressive politicians should embrace, not scapegoat.

SEE ALSO: Facts about fur farming. Truth About Fur website.

3. Trappers Maintain Land-Based Knowledge and Lifestyles

Trappers are, in a sense, the last of the Mohicans. They are among the last people on Earth who maintain the hunter/gatherer skills and knowledge that ensured human survival for 99% of our existence as a species. They are among the few who go into nature alone, continually studying animals and their environment.

We all care about nature, but most of us now  live in cities; it is trappers who sound the alarm when wildlife and their habitat are threatened by poorly-planned industrial activity. Trappers report eagle nests so loggers can avoid disturbing them. Like canaries in the mine, changing fur harvests can signal problems like mercury pollution harming mink reproduction.

We would need trappers even if we didn’t use fur. Regulated trapping protects land from flooding by over-populated beavers. It also protects human health (e.g., from rabies spread by over-populated raccoons) and livestock (e.g., from predation by coyotes) and endangered species (e.g., sea turtle eggs from foxes, raccoons and coyotes); and the list goes on.

Trapping in North America is strictly regulated by state, provincial and territorial governments to ensure that only abundant furs are taken and that the most humane trapping methods are used.

Especially in Canada, trapping also provides food and income for many First Nations communities.

Protectors of our land-based heritage and our natural environment, trappers should be recognized as true guardians of nature. The furs they produce should be respected and treasured by progressives. They should be purchased and worn with pride to support these unique lifestyles - not boycotted.

SEE ALSO: Reasons we trap. Truth About Fur website.

4. Fur Is Sustainable, Durable, Recyclable and Biodegradable

The massive over-production of inexpensive but poor-quality clothing is becoming a serious environmental problem. “Fast fashion” unfortunately also means “fast disposal” of increasing quantities of clothing that is only worn briefly. And as much as 80% of it is made of petrochemical-based synthetics, basically another form of plastic bags.

In landfills, synthetics do not biodegrade like fur and other natural fibres. And each time they are washed, they leach millions of plastic micro-fibres into our waterways that are now turning up in marine life - including species we eat, like oysters - and even in our drinking water.

SEE ALSO: The great fur burial. Truth About Fur proves fur biodegrades.

Intensive production of cotton, the second most common clothing material, is also causing environmental damage in many regions.

It is becoming clear that the only sustainable solution to this clothing crisis is to buy less of it, while ensuring the items we do buy are better quality and last longer with proper care. This sustainable future will include fur. Good-quality mink and other fur garments are often worn for 30 or more years, and unlike most clothing, can be taken apart and completely “remodelled” as fashions change. Fur is often passed down from mother to daughter, or granddaughter. Old furs can also be made into vests, pillows or other accessories.

And after many decades of use, fur can be tossed into the compost to return to the soil. Once again, we see that fur should be appreciated and promoted by environmentally-conscious progressive politicians, not banned!

Progressive politicians who are sincere about wanting to promote social justice, craft traditions, rural communities, and protection of our natural environment, should be asking how they can better protect and promote fur and our remarkable North American heritage industry. They certainly should not be seeking to ban it.

***

To learn more about donating to Truth About Fur, click here.

Sharon Firth and her late twin sister, Shirley, are legends in Canada for their feats as cross-country skiers. Their lives were rooted in living off the land, and today Sharon champions the cause of bringing natural fur back to Canada's Olympic uniform, not seen since their first games in 1972. Image: Canada Post.

Gliding stride-by-stride across the frozen ice and snow of the Northwest Territories. The sting of frigid -30°C air filling your lungs with each gasp as you ski on, mile after mile. Your legs and arms burning like fire as you push yourself. Just you, alone, fighting against the pain of fatigue, battling a darkened winter sky and the elements of nature.

It’s not something everyone can do or even imagine. But it’s exactly here that Sharon Anne Firth found her calling. It’s where she traces her life, from a child on the trapline with her family, to Olympic glory around the world, and now, all the way back again. All the way back home.

Sharon Anne and her twin sister, the late Shirley Firth, also an Olympic cross-country skiing legend, were born two minutes apart in Aklavik in the Northwest Territories, on the last day of 1953. They were two of 13 brothers and sisters.

Sharon Anne is Gwich'in, a group of Dené indigenous people that have lived in the Arctic from Alaska to the Northwest Territories since time immemorial.

Considered the hub of the McKenzie Delta, Aklavik had it all at the time: about 800 residents, along with a hospital, post office, radio station, and of course a Hudson's Bay Company store. But in 1959, with fears growing that the town was sinking into the river, many residents were shipped off to nearby Inuvik, including the Firths.

The demise of Aklavik, as it turned out, was greatly exaggerated. While government was busy pushing people out of the town, a committee led by A.J. “Moose” Kerr fought back against the relocation. And in the end, the town was saved. In more ways than one.

“Today the motto for the town is ‘never say die,’ which makes a lot of sense,” Sharon Anne says laughing.

Love for Nature, Skiing

The Firth family lived a traditional lifestyle including fish from the river and lakes, the wood and stone materials around them, wild game from the forests and tundra, and furs from the trapline.

But the people of the north don’t just want to survive, they seek to thrive. And so it was that in 1967 teenagers Sharon Anne and Shirley had their date with destiny. While in a residential school that brought in children from upwards of 63 communities, they were introduced to cross-country skiing.

The person who introduced them to the sport was none other than Norwegian skiing legend Bjorger Pettersen, who was running clinics in the north with a view to identifying possible talent and growing the sport nationally.

Sharon Anne and Shirley were naturals.

“As soon as we put on the skis we immediately fell in love,” Sharon Anne says. “The McKenzie Delta was really full of raw talent for things like snowshoeing and skiing. We are an endurance people, we love the long distances and we love being outside in all sorts of conditions. It’s who we are. It’s in our genes and our lifestyles.”

Pettersen certainly recognized the raw talent in his midst and the Firths, along with some other local athletes, were asked to enter into serious training. Sharon Anne recalls that they had to get permission from their parents first before committing. That permission was granted and the training began immediately with some, well, unusual challenges.

“Coaches would put the training program on the wall each day and we would be running across the tundra to train,” she recalls. “We would run for hours, and of course, before we began, they reminded us that there was no berry-picking while we were out training!”

Off to the Games

The training, combined with the talent, paid off. And quickly.

After first laying eyes on skis in 1967, just five years later, Shirley and Sharon Anne, then just 18 years old, were faced with a prospect almost too big to fathom: competing at the Winter Olympics in Sapporo, Japan.

But even then, things would not come easy for the twins.

Shirley fell ill and landed in hospital. Her illness was such that she was told she should not only forget about making it to the Olympics, but about competitive skiing altogether. But when you come from a town whose mantra is “never say die”, you don’t throw down the skis and quit.

“I visited her every day in hospital after I was done training, and the more I went to see her, the better she got. She was very strong-willed. She decided she was going to get out of the hospital, get back on her skis and fight to make the Olympics - and that’s exactly what she did. And so we both went to Japan,” Sharon Anne recalls proudly.

The Firths were the first Indigenous women to wear the Maple Leaf and represent Canada at the Winter Olympics. There was a huge sense of pride and accomplishment, but also pressure.

“Shirley and I pushed ourselves, we fought hard, and trained like you would not believe,” Sharon Anne says. “We were representing ourselves and our country, but also Indigenous peoples. We had gone from the trapline all the way to the Olympics. This wasn’t just about us and sports and competition. We were athletes and role models, and we knew it.

Having real fur on our Canadian Olympic uniform, it was a sense of pride and also made us feel connected to our home even though we were halfway around the world.

“It was a powerful feeling in the starting gate,” Sharon Anne says, recalling there was one thing that gave her strength as she prepared to step into the games: fur.

“Having real fur on our Canadian Olympic uniform, it was a sense of pride and also made us feel connected to our home even though we were halfway around the world.”

In all, Sharon Anne would represent her country and her people at several national and world championship skiing events, and at four different Winter Olympics: Sapporo 1972, Innsbruck 1976, Lake Placid 1980 and Sarajevo 1984.

She retired in 1985 and faced a question many elite athletes do after years of structure and training and planning, and strictly regimented living: now what?

For Sharon Anne, the answer was simple. She would go home.

Back to the Northwest Territories

“I knew I had to go back to the Northwest Territories,” she says. “I was raised on the trapline and on the land; it was what I knew, what I loved. Hunting, fishing and trapping and living a life in nature, with nature.”

She moved back to her home territory and settled in the capital, Yellowknife. Her first job was at Expo 86 in Vancouver, working with young people relaying to them the amazing life she had led. In the years that followed, she worked for the government, and the honours and accolades worthy of a trailblazing athlete of her stature have flowed appropriately.

She is a member of the Order of Canada, and more recently, the Order of the Northwest Territories. She is a member of the Canadian Museum Ski Hall of Fame, Canada’s Sports Hall of Fame, Banff Sports Hall of Fame, and NWT Sports Hall of Fame. She has received the Queen’s Golden and Silver Jubilee Awards, a National Aboriginal Achievement Award, and an Honorary Doctor of Laws Degree from the University of Alberta, and has been named an Adjunct Professor University of Alberta, School of Public Health.

Recently Sharon Anne and Shirley were immortalized when they were added to the Women in Winter Sports stamp series from Canada Post that includes themselves along with other sporting legends Nancy Greene, Danielle Goyette, Clara Hughes and Sonja Gaudet.

Champion for Natural Fur

And now you can add a new title to Sharon Anne’s lengthy résumé: a champion for natural, sustainable fur.

As a person who has lived from the land for a great part of her life, and who understands the positive impact of natural fur in rural and Indigenous communities, she has a new mission: to give Olympic athletes a choice to be able to wear fur at the Winter Games just like she did.

“Natural fur is my passion,” she says. “I was raised on the land, we always had the very best of things from the land including our furs. People in the south go to the mall or grocery store to get what they need, we go to the land or the trapline.”

She says fur is part of the Canadian cultural fabric, but also part of the ecological landscape.

“As a people we understand management and balance in nature, we never take more than is needed, and we use whatever nature gives us. It’s pure and natural,” she says. “Hunting, fishing and trapping unites us all across this country, it always has.”

Fur is Canada ... I’d like to see athletes be able to wear natural fur at the Olympic Games, to feel the connection to their culture and country the way I did.

And for a young teenager, standing in the starting gate at her first Olympics in a country she had only ever read about, fur was something else. It was part of the theme that has permeated Sharon Anne's life.

Fur was, in a way, home.

“Fur is Canada,” she says. “So yes, I would like to see athletes have a chance to experience what I had as an Olympian. I’d like to see Canadian athletes be able to wear natural fur at the Olympic Games, to feel the connection to their culture and country the way I did.”

"Never Give Up"

Shirley Firth, meanwhile, got married in 1984 and lived in France for many years. But she too stayed connected with her home as she worked with universities and Canadian Embassies in Europe promoting the Northwest Territories and its people.

Sadly, Shirley’s life, though so full and amazing, was cut far too short. She passed away in April 2013.

But Sharon Anne's connection to her twin sister has never faded. “She is always with me,” she says. “She is always reminding me to never quit, never give up.”

***

To learn more about donating to Truth About Fur, click here.

Fur Trade Tales feature real-life stories from real people of the fur trade. This is our third Trapline Tales, but look out for Fur Farm Tales, Furrier Tales, and more to come. If you'd like to contribute, please contact [email protected]

I love reminiscing about the wholesome way of life I experienced growing up in British Columbia on my parents' trapline in the 1960s and '70s. In this instalment of Trapline Tales, I'll introduce an old trapper who played an important part in our lives, even though none of us even know who he was: Greasy Bill.

Our trapline was registered in my father's name only, but rest assured it was every part my mother’s trapline too. Often she was a weekend widow throughout the winter months, but after I left home, both my parents spent many a day on the trapline, and great times they were.

SEE ALSO: Trail-building in the high country. By Calvin Kania for TruthAboutFur.

So one November, Ma and Pa (as they called each other) headed for a trapper's cabin located at the confluence of Grizzly Creek and Greasy Bill Creek to get ready for the season that was upon them. The cabins on Dad's line were built in the 1940s by old-time trappers, this one by a trapper called Greasy Bill.  I'm not sure why he got that nickname, but I can only imagine!

SEE ALSO: Ski Doos and marten scent. By Calvin Kania for TruthAboutFur.

The cabins were small, built from large timbers of western red cedars and roofed by hand-split cedar shakes. They were low-rise structures typically fitted with one window, one door, a table or bench and two chairs, a bed, and a wood-burning stove. Flooring was made of wood planks, and a large overhang extended out the front of the porch to keep the firewood dry and to provide a place to hang furs while they were drying. Furs were also dried inside the cabins, but sometimes the ol' wood stove would be pumping out so much heat the furs could dry too fast.

My father liked getting out in November for beaver trapping so he would have marten bait later in the season. For the beaver trapping, he would take the truck back out of Grizzly Creek and head up into the main valley of Koch Creek to a place called Camp Eleven, an old logging camp of the 1940s. Just down the road at Camp 10, which was the main logging camp, is where David Suzuki’s father almost lost his life in an avalanche. My father's trapline has a lot of colourful history. You could never see any beaver activity from the upper road, but once you got down into the main creek, there was beaver logging everywhere.

At the end of their beaver trapping day, my parents settled into their evening of playing a couple of card games, probably whist or pinochle as that’s what we grew up with, and a shot of rye whiskey was course for the evening. It being November, the rains started to fall, the fog rolled into the narrow valleys and a dampness set in, but with the wood stove burning, Greasy Bill's cabin was toasty warm.

Wood is the best heat as it’s the most comfortable. My home on the west coast is electric baseboard as back up, but I have wood-burning stove inserts upstairs and downstairs. If it gets too warm, I just open the doors to outside and don’t feel the least bit guilty.

As my parents' evening of playing cards came to an end, they settled into bed. The coal oil lantern was turned off and left on the kitchen table across the room. It was pitch black. My father could not see his own hand in front of his face. As he was getting comfortable, my mother was already sound asleep and blowing the horn. He chuckled to himself, lying thinking about what and where wolverine and lynx cubbies he was going to build over the next few days. Then he realized that darned wood stove was pumping out the heat again, so much so that he reached over and unlatched the door to the cabin, which slowly opened and a coolness wafted in. 

Mystery Visitor

He was lying there thinking of tomorrow when all of a sudden he heard footsteps - four of them. It was right there beside the bed, beside him. It took a few sniffs, walked into the cabin, and sniffed around some more.

My father lay there, thinking out loud in a whisper, “Coal oil lantern on the kitchen table, flashlight on the cupboard bench, rifle standing in the corner on the other side of the room. Hmmm, what now?"

He thought, “The nearest light is the pack of matches in my pants pocket at the end of the bed. Any slight move is going to spook or provoke this animal in perhaps not a good way. What do I do?"

It was either a lynx, wolverine, coyote, bobcat or young black bear. Its footsteps were heavy enough to be any of those. He was anxious to see what it was that so innocently entered the cabin, but if he made a dash across the floor to the flashlight on the bench, there was a good possibility of a mid-room collision. Nah, not a good idea.

He had to be quick, so the matches at the end of the bed were his best bet. He abruptly sat up, grabbed his pants, twisted them upside down, right side up, fumbled for the matches, only to find they were a bit damp and didn’t want to light right away. At the same time the four-legged creature made a quick exit out the cabin door and into the darkness.

While all this commotion was taking place, my mother snorted lightly a couple of times, woke up, and in a groggy voice said, “Huh, what’s going on?” My father replied, “Ahh nothing, I’ll tell you in the morning.”

It being November and the rains upon them, snow had not quite reached the cabin area, so there weren't any tracks to look for in the morning. The mystery animal will be a mystery forever.

Changing Times

They were great times. Everyone was accepting of the lifestyle, and the Hudson’s Bay Company (HBC) ruled the fur market in Canada from buying trappers' fur pelts to selling fur garments in their department stores from Victoria to Halifax. Although HBC Point Claire Quebec Auction House did have competition from rivals Dominion Soudak in Winnipeg, Ontario Trappers Fur Auction in North Bay, and Ted Pappas at Western Canadian Fur Auction Sales in Vancouver, they still ran the show. Oh, how times have changed.

Today, I find myself criss-crossing China and other parts of the globe searching out markets for our furs. We have to, as many Canadians no longer understand our trapping heritage. That’s right, our fur trapping heritage.

Canada does have a unique fur-trapping culture which is one of the building blocks of our nation, but it seems that many Canadians are ashamed of it. I will probably take flak for this, but much of the blame lies squarely at the feet of the Canadian fur industry as we allowed this to happen. Companies like Canada Goose should receive the Order of Canada for promoting fur to Canadians. Instead, they’re scapegoated by animal-rights terrorists and an ill-informed public. There is nothing more natural than fur.

SEE ALSO: 5 reasons why PETA won't make me ditch my Canada Goose. By Alan Herscovici, TruthAboutFur.

Canada is the leading nation when it comes to international trapping standards. We are signatories to the Agreement on International Humane Trapping Standards (AIHTS). I sat on that committee in the early years when Canada was forced to adopt trap standards in order to meet European Union legislation on the importation of wild fur.

Sharing the Land

Speaking of the changing world, I want to share a story with all trappers across Canada. Be very aware of your trapping rights. It’s your heritage and don’t let anyone tell you otherwise.

You have to protect yourself against the possibility that, despite following all proper procedures, a domestic animal or pet could unfortunately be captured or harmed. With modern trapping standards this doesn't happen often, but it can happen. I cannot reiterate enough the importance of having liability insurance on your trapline to cover any eventuality.

Be very aware of your trapping rights. It’s your heritage and don’t let anyone tell you otherwise.

This past winter we found ourselves in a difficult situation. My assistant on the trapline accidentally caught a pet dog in a bobcat set. He was cleared of any wrongdoing by the Provincial Conservation Officer Services; he had followed the law and proper procedures to the letter. My trapline is on Crown Land as all Registered Traplines are in British Columbia. It's also on Sinixt First Nation Traditional Territory for which I sought permission to be on and was granted permission. However, after a few months we were served with a civil lawsuit by the pet owners in the Supreme Court of British Columbia in Vancouver.  

As more city people move into rural areas, the potential for problems increases and trappers are doing what they can to avoid conflicts. For the 2019/20 season, for example, all Registered Traplines across British Columbia will be posted with "Active Trapline" notifications. The BC Trappers Association is working with the Ministry of Forests, Lands, Natural Resource Operations and Rural Development in rolling out this program.  

I would also urge fellow trappers to consider posting a notice in your local paper, advising the public about trapping seasons and reminding them of the importance of keeping dogs on-leash - for the welfare of ground-nesting birds and prevention of harassment to other wildlife, and reminding the public about their own responsibilities in the woods.

Trappers also need to put your local Conservation Officer Services on notice that you expect them to enforce the law under the Wildlife Act and lay charges against anyone interfering with legally set traps. If you are worried about interference, trail cams can help to document unlawful acts.

As for our lawsuit we have reached an agreement with the plaintiffs in which the details are locked up in a confidential contract and cannot be disclosed.

Return to Greasy Bill Creek

My father passed away in November 2015, on his 97th birthday. A few days before he died, I took my mother to visit him at the seniors home, she knelt down beside his bed and asked, “Well Pa, do you have any regrets?” "No Ma, I don’t," he replied."We did everything we wanted to do in life and more. Heck, we pretty much outlived all our friends. What about you Ma?” She answered, "No Pa, none."

The service for my father was two weeks later, family and friends attended from far and wide. Through the whole ordeal and for several months after, I never once saw my mother mourn or grieve. Was it shock? Or was it just because they had been together so many years and it was time to go?

The following summer the family arranged a week-long gathering to celebrate my father's life.  The whole family - children and spouses, grandchildren and great grandchildren, uncles, aunts, cousins, in-laws and out-laws - converged on the family homestead. A celebration it was!

We arranged one of our favourite family outings, heading to Greasy Bill Creek for a fish fry. Kids and adults were fitted with fishing licences, fly rods and flies, and were dispersed in all directions up and down both creeks to catch lunch, with instructions to return by 1 p.m. As we approached Greasy Bill's old cabin, we found it had seen better days. A large hemlock next to the creek had decided to lay its timber across the roof of the shack, and it had caved. But the door was still upright, and above the doorway a sign read, "Trappers Cabin, please respect it and keep door closed. Ed Kania - Trapper".

As soon as my mother read that, was the moment she broke down and grieved and mourned. It was then and there that took her back to those marvellous days on the trapline with a man she had married 72 years earlier.

In this age of mass-produced, imported goods, textile artist and jewellery designer Vanessa Ægirsdóttir belongs to a growing band of people who want more of the benefits of commerce going to producers of raw materials, and specifically in her case to Canada's First Nations trappers. While her family name reflects her Icelandic heritage, this artisan is Canadian born and bred, and currently lives in Whitehorse, Yukon. Together with her partner, Tlingit trapper George Bahm, her mission is to generate more economic returns for trappers of the Kwanlin Dün First Nation and the Ta’an Kwäch’än Council, in whose traditional territory they reside.

TruthAboutFur: Last year you opened a boutique in Whitehorse selling mainly fur jewellery. The Yukon is known for hats and mittens made by First Nations artisans. Why not do the same? Are you trying to create a new market?

Vanessa Ægirsdóttir: Our products include scarves, hair scrunchies, bracelets, necklaces, earrings, and rings. We will be growing the line to include housewares and garments in the future. When developing the line, I wasn’t so much trying to create a new market as much as I was looking to enhance an existing one. Yes, the Yukon is known for mukluks, moccasins, mittens and trapper hats, but there was room for me to add a jewellery line and other accessories.

I feel strongly that it is not my place to elbow my way into the traditional fur products market, and there are many extremely skilled makers who are far more qualified than I am to be making these products. When folks inquire with me about having these traditional items made, I forward the contact information of the makers that have opted into being on a referral list that I share. So while I am an agent, I am not a middle man, and we don't sell their goods in our boutique.

I also know that many of those makers (several of whom are Elders) rely on the income generated from sewing traditional fur and hide garments, and I have absolutely no interest in taking that away from them. It’s a matter of respect.

TAF: How do you source your furs?

Vanessa: Preference is given to First Nations trappers when buying our furs. First, I buy all the furs of my partner, George Bahm, then if we need furs that his trapline didn’t produce, we go to his cousins and uncles. If we still need furs, we extend our search to his home community of Teslin and outward from there, always giving priority to First Nations trappers.

TAF: What incentive do trappers have to sell to you, rather than sending their pelts to auction, as is the common practice?

Vanessa: We often pay the same as, if not more than, what is typically obtained through the auction houses. This is a multi-faceted decision.

We want our local trappers to have choices about where their furs go, so by offering to buy the furs instead of them having to send them out, we create an option for them. We want to put more power back into the hands of the trappers. Normally, trappers can sell at auction for an unknown (often disappointing) price, or keep the furs and make finished goods themselves -- but this is something not everyone can do due to skill, time, or interest.

We also want to help our trappers make informed decisions about which furs to target, and how to invest in capital assets for their trapline operations. Knowing the current values of furs at the outset of the trapping season gives the trappers the choice with regard to what species to target and in what quantities.

Also, in our experience, it is rewarding for the trappers to see how the furs are being used, which is not an experience many are familiar with because furs sent to auction are never seen again.

"More than Just Harvesting Fur"

TAF: So your motivation is not just to build a successful business for yourself. Tell us about your larger vision.

Vanessa: Incentivising our First Nations trappers to sell their furs to us is not my main intention. More than that, I want their trapping to be sustainable and profitable.

Having spent only part of one winter out on the trapline with my partner, I have merely glimpsed a fraction of the beauty and teachings that await on the trapline. But I know that this traditional practice, with its skill, stories and lessons, will be lost if the wild fur industry continues as it is. My hope is to protect the importance of what is out on the trail, in the quiet of a fresh snowfall, so that future generations of fur harvesters can reconnect with their ancestors and the teachings that have endured for thousands of years. Trapping is so much more than just harvesting fur.

It is from this perspective that I might play a small part in an act that builds bridges and relationships between myself, as a non-Indigenous person, and the First Nations trapping community.

SEE ALSO: "'Trapping is beautiful' says proud Cree Robert Grandjambe."

Cultural Immersion Through Weaving

TAF: You have sought to immerse yourself in First Nations culture, and in particular the textiles aspect. But you are also mindful that you yourself are non-Indigenous. Tell us about your journey. Has it been easy?

Vanessa: In addition to working with fur, I am also a Ravenstail weaver. This ancient form of weaving predates the more commonly known Chilkat, and is similar to basket weaving. It originated on the Pacific West Coast with the First Nations (Tlingit, Haida and Tsimshian, among others) who wove and traded Ravenstail robes long before contact. I learned this weaving method from Lily Hope whose mother, Clarissa Rizal, was a master weaver.

I have been warmly welcomed into the weaving community, which is comprised almost exclusively of First Nations weavers. Because of the teachings I’ve been given and the protocols that have been shared with me, in addition to my own skill and cultural awareness, I am allowed to do this weaving work. That’s not to say it has been without question and even upset some members of various First Nations communities. However, we try to use these interactions to inform and to dialogue with those posing questions and expressing concern, and are able to explain the special nature of the permissions given to me to be welcomed into the weaving community. This extends to my relationship with the fur and hide-maker community.

But make no mistake, I am aware that I am a non-Indigenous maker, and I don’t for a minute pretend to be First Nations. I am a guest, and it is a privilege to be welcomed into these various circles of knowledge. I treasure that deeply and take pains to preserve that.

Adding Value to Furs

TAF: So how do you see the current state of trapping in the Yukon? Presumably all is not well, or you wouldn't be striving for change.

Vanessa: There are around 300 to 400 trapping licenses currently issued by the Yukon Department of Environment, of which I guess fewer than half are held by First Nations trappers, mostly operating on traplines that have been in their families for generations.

What I see is that most trappers, regardless of their indigeneity, are limited in how to add value to their furs. We have the Yukon Trappers Association, which works with trappers of all backgrounds to get their furs to market. They make tools, traps, scent, and boards available for purchase, and also hold workshops. The YTA will batch furs from several trappers and send them out for tanning, which is not a service that is otherwise readily available in the area. Aside from individual makers (traditional or otherwise), there aren’t local manufacturing or design facilities that are taking the furs and producing Yukon-made fur garments.

Many First Nations trappers continue to produce finished goods from their furs like mitts and hats, but as is the case with most producers, the supply chain favours the final seller and not the producer of the materials or the finished goods. If these makers have an established clientele, they are positioned to make a reasonable income, but for those who rely on retail vendors to get their products in front of consumers, their work is shockingly under-valued. For example, it’s common for a maker of moccasins (smoke- and brain-tanned moose hide, beaver fur, and beadwork) to receive only $100 from a retail store owner, regardless of the innumerable hours spent in production.

While there may be a limit to what the market will bear in terms of the final retail price of such goods, it is seldom the maker who is receiving the majority of the money for the product being sold. We’re working to improve that balance.

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SEE ALSO:

"Fur jewellery shop works to raise awareness about Indigenous culture", Yukon News, Jan. 24, 2019.

"Yukon artist and Tlingit trapper create stunning jewelry", Broadview, Feb. 13, 2019.

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To learn more about donating to Truth About Fur, click here.

New York furriers are fighting back against a misguided proposal to ban the sale of fur products in New York City – a proposal that would destroy thousands of jobs and hundreds of millions of dollars in economic activity generated by one of the city’s founding industries.

150 furriers and fur workers protested outside New York City Hall on March 28, as the fur ban proposal was presented to City Council by Speaker Corey Johnson and several other council members. The proposal was referred to the Committee on Consumer Affairs and Business Licensing for further discussion.

SEE ALSO: 6 reasons why banning fur sales is a very bad idea.

Family Businesses, a NYC Heritage

“We have to fight because this is a threat to so many people’s jobs. There are more than 1,500 people working in the fur trade and affiliated businesses in New York City,” says Maria Reich, the dynamic CEO of ER Fur Trading, Oscar de la Renta Furs, and Reich Furs, who was a spokesperson at the demo.

“This is also a direct threat to our freedom of choice,” she told me when I contacted her after the demo. “It is sad and worrisome that our local government could think they should dictate how we dress, what we eat, how we live. If the sale of fur can be banned by politicians, so can any other legitimate industry. Speaker Johnson thinks it’s his mission to save animals, so what’s next? Wool? Leather? Meat?

“What’s encouraging is how everyone in the trade has come together to fight against this completely unjustifiable proposal. With support from the Fur Information Council of America (FICA) and the International Fur Federation (IFF), we are signing petitions, calling and writing to our council members, speaking to the media, and getting the word out to the rest of the industry and the public about what’s happening,” she says.

“I have all my social media sites referring people to ShoppersRights.org, where they can easily let New York council members know what they think of this crazy proposal. People are being very engaged and supportive -- they want to help get the word out that people’s jobs are being threatened here, for no good reason.

“The modern fur trade is one of the most sustainable industries; the production of fur is well regulated and we are implementing full traceability with the new FurMark program. It’s just crazy that the council would even think about attacking this quintessentially New York industry. The fur trade is part of New York’s roots, going right back to the Native American people who lived here, and then the Dutch settlers and traders in the 17th century.

SEE ALSO: "Fur is a sustainable natural resource" on TruthAboutFur's website.

“Our company was started by my late husband’s grandfather, Charlie Reich, who arrived here from Poland in 1938, fought in World War II, and then returned to start Reich Furs. His great-granddaughter, Samantha Ortiz, is now president of the company. I am a single working mom, and small businesses like ours are the heart of New York. We are a design-driven company and we directly employ 20 people, but we also work with - and provide work for - many other New York Garment District companies: designers, manufacturers, wholesalers, retailers.

“It is really shameful that the councilman Johnson, who is supposed to represent the Garment District, is the one presenting this crazy proposal to shut down small family businesses and destroy the livelihoods of hard-working New Yorkers,” she says.

Fur Ban Is an Attack on Small Businesses - the Heart of NYC

Nick Pologeorgis is another leader of the New York trade; he also serves on the boards of FICA and the IFF. His father, Stanley, started Pologeorgis Furs in 1960, after arriving in New York from Crete. He apprenticed in a fur workshop without pay and became a master fur craftsman. He was one of the first furriers to forge relationships with top international designers, collaborating with Pierre Balmain from 1970. Nick joined the business when he finished college in 1984. His sister, Joan Pologeorgis, who graduated from the Fashion Institute of Technology, serves as vice-president in charge of production and is co-owner. It has been a family-owned and operated business for over 60 years.

SEE ALSO: Fur bans: Society has much more to lose than fashion.

“We love fur; not everyone has to like fur, but that doesn’t give them a right to ban it. There are real people’s jobs at stake here. This is the trade they know; they support their families,” says Pologeorgis.

“There are more than a thousand direct fur-trade jobs in New York, but our industry now also works closely with many other sectors. Fur is used for accessories and for home furnishings. Fur is used to make felt for hats, and for rugs.

“Think about it: more than $3 billion in economic activity would be lost over the next ten years if this ban was passed – that’s $3 billion taken from New Yorkers’ pockets, from New York families. And for what?

“New Yorkers are upset about all the jobs that were lost when Amazon decided to pull out of our area. More jobs stand to be lost in fur manufacturing with the proposed ban. They want to destroy jobs and small businesses like ours when they should be supporting us and fostering growth in NYC.

"The elected council members don’t really understand all the issues here. They say they want to save animals but what about people and their livelihoods?

“It’s a slippery slope from fur to many other products. What is next?” he asks. "I coach my son’s baseball team and we use leather-covered baseballs and leather mitts. So, is it also unnecessary and cruel to use baseball mitts?

“What is important now is that everyone in the trade – and everyone who supports consumer freedom of choice – should get involved and make their voices heard. You can go to ShoppersRights.org, and everything is there to make it easy to send a message to the city council members. FICA also has a social media tool kit that’s easy to use.

“Many people are working very hard to fight this terrible ban proposal, and we can succeed, but we need everyone’s help. It's time to speak out -- to defend our jobs and our rights!” says Pologeorgis.

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WHAT YOU CAN DO TO HELP:

1. Go to www.ShoppersRights.org to send a message to NYC council members. (You can also send messages about ban proposals in San Francisco and Los Angeles.)

2. New York residents: Encourage your friends and family in NYC to get involved by visiting the website of Fur NYC.

3. Everyone: Follow the Fur NYC campaign on Twitter.

4. Share this TruthAboutFur blog post on social media. And also share our other posts: "6 reasons why banning fur sales is a very bad idea" and "Fur bans: Society has much more to lose than fashion".

To learn more about donating to Truth About Fur, click here.

Recent proposals by Los Angeles, San Francisco, and now New York city councilors to ban fur sales should not only worry furriers who risk losing their jobs and businesses. These proposals should be a matter of grave concern to anyone who values living in a free, fair and tolerant society.

There are so many things wrong about the proposed bans on fur sales that it is hard to know where to begin, but let’s look at six of the most important problems:

SEE ALSO: New York fur ban: Furriers fight to save sustainable industry.

1. These proposals to ban fur sales are a flagrant example of arbitrary government infringement on fundamental human rights. No one is forced to wear fur, and animal activists are free to campaign against the fur trade, but this does not give them the right to impose their personal beliefs on others. After decades of anti-fur campaigning, many people still clearly want to buy fur. The activist response is to seek legislation that would take away our right to choose for ourselves. This should have alarm bells ringing on all sides of the political spectrum!

2. It is illogical and discriminatory to consider banning fur sales when 95% of Americans eat meat and wear leather. Of course, PETA and other “animal rights” groups that are lobbying to ban fur sales are equally opposed to any use of animals, even for food.  But most North Americans do not accept this extreme view; most of us believe that humans do have a right to use animals for food, clothing and other purposes, so long as these animals are treated responsibly. There is no justification for banning fur sales while hundreds of millions of cows, pigs and sheep, and several billion chickens, are killed each year for food in North America. Even philosopher Peter Singer stated in his landmark Animal Liberation – the book that launched the animal-rights movement – that it is completely hypocritical to campaign against the fur trade while most Americans continue to eat meat, eggs, fish and dairy.

3. As a society we do, of course, sometimes restrict personal choice, but only for very important reasons. To ensure that animals will be there for us in the future, for example, we ban trade in endangered species. But endangered species are never used in the fur trade; all the furs we use today are raised on farms or culled from abundant wildlife populations. This is assured by state, national and international regulations. Animal welfare must also be respected -- and decades of scientific research and government regulations ensure that fur today is produced responsibly and humanely. Trapping in North America is regulated by state (in Canada, provincial) wildlife authorities, in accordance with ISO standards and the Agreement on International Humane Trapping Standards. Fur farms are being inspected and certified to ensure compliance with codes of practice developed by veterinarians and animal scientists. There is simply no credible evidence that fur animals are treated less respectfully than other animals we use for food or clothing.

4. Wildlife populations often must be culled to protect property and human (and animal) health, whether or not we use their fur. Overpopulated beavers flood homes, farms and roads; raccoons and foxes spread rabies and other diseases; coyotes are the main predators of lambs and calves – and now attack pets and even people in urban areas; predators must also be managed to protect sea turtle eggs and other endangered species; and the list goes on. But if we must cull some of these animals, surely it’s more ethical to use the fur than to throw it away.

5. The fur trade supports livelihoods and cultures, especially in rural and remote regions where alternate employment may be hard to find. We all care about nature, but most of us now live in cities; indigenous and other trappers are our eyes and ears on the land, the people who monitor wildlife on a daily basis and can sound the alarm when nature is threatened. Fur farms provide employment in regions where the soil is too poor for other agriculture, helping to support rural communities. Fur artisans maintain handicraft skills that have been passed down from generation to generation. In this age of mass-production, each fur garment and accessory is still made individually, by hand. The fur trade maintains a range of remarkable skills and knowledge, a part of our human heritage that should be respected and encouraged, not persecuted with bans based on hateful and misleading propaganda.

6. Finally – and certainly not least – fur apparel is a long-lasting, natural material that is recyclable and completely biodegradable. After many decades of use, your fur can be thrown into the garden compost where it returns to the Earth. By contrast, most clothing today is made from petroleum-based synthetics that do not biodegrade. Instead, these synthetics leach thousands of plastic micro-particles into our waterways every time they are washed – plastic that is now being found in oysters and other marine life. It is bizarre at a time when we are trying to reduce our use of plastic – for example, by banning the use of plastic bags and water bottles – that some cities would even consider banning a long-lasting, recyclable and biodegradable natural material like fur!

SEE ALSO: Fur bans: Society has much more to lose than fashion.

As this quick review shows, recent proposals to ban fur sales are anything but “progressive”. They would unjustifiably usurp our right to use a sustainably produced, natural and biodegradable clothing material. They are arbitrary and discriminatory, especially in a society where most people eat meat and wear leather. They are completely unjustified because the modern fur trade is extremely well-regulated to ensure environmental sustainability and the responsible treatment of animals. And they would unfairly attack the livelihoods and cultures of thousands of people who maintain heritage craft skills and a close relationship with the land.

Again: no one is forced to wear fur. But everyone should be concerned about these misguided proposals to take away our right to make up our own minds about very personal and complex ethical choices.

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What you can do to help! Make your voice heard at: www.ShoppersRights.org